Friday, October 18, 2013

The Mysterious Traveler Radio Program: Five "Lost" Episodes

Mysterious Traveler comic book
Romantically, fans of old-time radio (and fans of old horror radio programs) rave about The Mysterious Traveler. Chilling tales of murder -- and on occasion -- science fiction and horror. One can easily compare the stories to those of E.C. Comics (Tales from the Crypt, The Vault of Horror, etc.) and while the series today ranks among the most popular of radio chillers (as opposed to the often overlooked and underrated Quiet, Please series), in reality it was not as popular at the time it was first broadcast. The best example I can come up with at the moment is the motion-picture, It's a Wonderful Life. Never reaching box office success at the time of release, it's become a pop classic today. In reality, The Mysterious Traveler was a sustaining filler for time slots on the Mutual Broadcasting System's irregular schedule. A sustaining program was simply as it suggests: the network forked up the production costs in the hopes that a sponsor would buy what network executives believed was a promising program. Ford was a temporary sponsor in 1950, but only for a few broadcasts. (Ford did the same for a large number of radio programs in the same manner in late 1950.)

The radio program spawned a short-lived series of comic books and four mystery magazines. These collectibles vary in price depending on the quality of the comics and magazines. The front and back cover, and the tightness of the spine, are inspected for grading quality so if the magazine is in superb condition but half the front cover is torn, the value is so cheap you can pay $5 bucks for it. The usual going price for a good condition copy of the magazine is $20 per issue.


Mysterious Traveler mystery magazine
The series was created and scripted by Robert Arthur and David Kogan. I suspect (and am presently working on digging for proof) that they rarely co-wrote a script together. Instead, they wrote the scripts solo and shared joint authorship for every radio script broadcast. (In the same manner as Lennon and McCartney as The Beatles.) Many of the episodes were reused for The Sealed Book, The Strange Doctor Weird and a couple recycled for the later episodes of Suspense. Robert Arthur later adapted a number of his Mysterious Traveler scripts for short stories in magazines. During the late fifties and early sixties, Arthur ghost wrote the introductions for Alfred Hitchcock in the paperback and hardcover anthologies. You can always tell if Arthur was the editor because there was always one story among the selection penned by Arthur -- many of which were adaptations of Mysterious Traveler scripts.

Regardless of what is reported on a number of internet websites, The Mysterious Traveler did not inspire other mystery radio programs such as Dark Venture, Murder by Experts and The Teller of Tales. Anthology programs were a dime a dozen and rarely was one radio program the inspiration for another. In fact, producers insisted on their own variation-on-a-theme so they could avoid potential lawsuits. One website goes as far as to suggest that The Mysterious Traveler competed against Inner Sanctum Mystery and Lights Out! and that "the same big three networks were forced to continually shuffle their offerings back and forth on the radio dial to continue to fend off the upstart Mysterious Traveler." This, naturally, is incorrect and merely an assumption. The same site claims: "While simply a road-bump to MBS, the blacklisting of one of radio's greatest writing teams effectively ended their radio writing careers with the cancellation of The Mysterious Traveler." This is not true. Executives at Mutual made a financial decision to cancel the program after it was determined that selling the series to potential sponsors in an era where it was acknowledged that television was going to dominate the field was not feasible.

Maurice Tarplin as The Mysterious Traveler
Transcription discs for "lost" episodes are expensive because they rarely turn up on eBay. Just a hair over 70 episodes are known to exist and while unscrupulous mp3 vendors have been altering episodes of The Sealed Book and retitling them to fool gullible consumers into believing they are buying over 100 episodes, discs do seem to turn up from time to time. I recently paid $225 for three transcription discs and they are presently being transferred to audio CDs. The dates on the disc labels do not cohere with the radio scripts so whether they are "lost" recordings or simply ones that exist already has yet to be determined until the discs and CDs arrive and I can listen to them. So in the meantime, here are a few plot summaries for five "lost" episodes for you to enjoy. I'll try to post additional plots in future posts.

Episode #187  “DEATH IS MY PARTNER”
Broadcast January 20, 1949
Plot:
Harry Leseur, a dark, powerfully built young man, has just returned home after being missing for two years, following a plane crash in the remote mountains of India. There, he learned about catalepsy, a condition when the heart and the breathing are so close to stopping, a person appears to be dead. Even if he is stabbed by a nail or large needle, he will not feel a thing or react to the pain. Sometimes it happens naturally. In India, the yogis have learned to induce it artificially. Harry, recently rescued from India, reveals the trick to his wife, Lucy, and plots a fake heart attack to fool the doctor, the coroner and the life insurance company into a $25,000 policy payoff. Lucy plays the role of the grieving widow, trying her best to prevent the doctor and the coroner from performing an autopsy or embalm her husband. The ruse works and two days later her husband’s coffin is placed into the family vault -- where Lucy eventually gets to late at night to revive her husband with the trick he demonstrated days before. The doctor and the coroner, however, played a trick on Lucy. In spite of what they promised her, and how she felt about the body not being touched, and his religious beliefs, the men snuck the body down to the morgue to embalm him, like the law says. Back in the vault, Lucy rubs the wrists of her late husband, begging for him to wake up. “It’s been fifteen minutes since I gave you the medicine! Harry, please wake up! Harry… Harry… Harry!”

Episode #188  “THE GHOST MAKERS”
Broadcast January 27, 1949
Plot:
In the little New England village of Wilton, in a old colonial house just across the road from the town’s ancient cemetery, Agatha Wainwright entertains her nephew Ned, who is in debt from Chicago gamblers and is in desperate need of money. With the assistance of Professor Piedmont, who runs phony spiritualistic cults, the men plot to create ghosts and scare the old woman into an asylum so Ned can oversee the estate’s finances. Four magic tricks and two weeks later, Henry, the hired man and Stella, the maid, resign in terror. Aunt Agatha, however, ignores the ghostly knocks, footsteps and voices that professor Piedmont’s ingenuity devises. After a month the whole town is buzzing with tales of her haunted house… but she refuses to heed them. After two months, in desperation, the Professor and Ned devise a plan that will not fail. Departing for Boston, the men arrange for a staff member of a Boston hospital to phone Aunt Agatha and report the death of her nephew and his friend. The two would then return and play ghost. On route back to the mansion, the car skids on the slippery road, goes down a steep embankment and turns over on its side. The temperature is hovering near zero and Ned’s ankle is broken. For a half hour the men struggle to get to the mansion, the only house within miles. Having received the phone call, Aunt Agatha’s mind has finally cracked -- and believes the cries outside the front door are real ghosts. “Aunt Agatha! We’ll freeze to death if you don’t open the door!” Ned’s cries go unanswered.

Episode #189  “DEATH SPINS A WEB”
Broadcast February 3, 1949
Plot:
Carl and Dora Evans, fleeing from the police after committing criminal schemes, find themselves stranded along a deserted road through the Maine woods, heading north, for Canada. There, they find a moderate-sized stone house, a surprising sight in the dense woods. After observing how Dora’s ankle is sprained, an accomplished pianist by the name of Leonard Vance shelters the couple, believing they are brother and sister. Vance explains how he leads a lonely life and, delighted to have company, allows them to stay over for a few days. By the end of the week, Vance has fallen in love with Dora and, in an effort to convince her that he is not penniless, reveals a hidden wall safe containing $50,000. Dora accepts the marriage proposal. Dora and Carl scheme to kill the old man, make it look like suicide, and steal the money. When Leonard’s brother comes to visit, Herbert insists on calling off the wedding -- Leonard should remain isolated in his small stone house. Before Herbert can do anything about it, he succumbs from a heart attack and dies. Carl takes matters into his own hands and shoots Leonard dead, then makes it appear as if Leonard shot himself in an act of suicide. After drinking a toast of wine to celebrate, the couple open the safe and remove the $50,000 -- and the yellow, brittle newspaper clippings about a pianist sought for murder. It seems Leonard used a bottle of poison whose symptoms duplicated those of heart failure. Herbert was merely trying to protect his brother… and Dora. Before the two can share a laugh of irony, both Carl and Dora get weak and feel a squeezing of the heart…

Trivia, etc. The music Leonard plays on the piano is “Danse Macabre.”
    
Maurice Tarplin doubled the role of Herbert Vance.

Episode #190  “TONIGHT I DIE”
Broadcast February 10, 1949
Cast:
Frank Behrens (Alex Drake); Gwen Jordan (George Adams and the doctor); and Henry Neely (Professor Erlich).
Plot: Alex Drake, a haggard looking man in his early thirties, finds himself pacing the few short feet between the locked door of his room and the barred window. In desperation, he composes a letter recounting the events that led to his incarceration and why he knows he will die tonight. Eight months ago he was an instructor in bio-chemistry at Mid-Western State University. After accepting an invitation from Professor Erlich, Alex discovers the professor discovered a way to bring the dead back to life. Once deterioration of the body tissue and brain tissue sets in, it is impossible to bring anyone back from the dead. But he has since conquered the problem with a special serum. Alex witnesses one experiment after another and eventually agrees to be a human guinea pig. During his dream-like state of unconsciousness, Alex finds himself in a vast, white plain. In the distance was a huge gate… and tens of thousands of people before it. Among the people was George Adams, a colleague, who explains that he died four hours ago in an automobile accident. Alex wakes an hour later, revived from the dead by Professor Erlich, and discovers George really did die a few hours ago. Remembering what George said about knowing the past, present and future, Alex wants the Professor to kill him again. A week later, Alex succumbs from the same fate and discovers he will die on February 10, 1949 at 9:52. When he wakes, the Professor explains that he will not commit the crime a third time. Angry, Alex Drake strangles the Professor.

Before he can finish his letter describing the events that since happened, Alex Drake dies from a heart attack, clutching the seven page letter in his hand. The lieutenant claims the letter “reads like the truth.” The doctor, however, accounts for the prediction because the patient frightened himself to death. “Come now, Lieutenant. Drake speaks of having murdered a Professor Erlich six months ago. That was a sheer hallucination. You know as well as I do that Drake’s been in this insane asylum, under lock and key, for the past ten years.”

Trivia, etc. Maurice Tarplin doubles for the role of the lieutenant.
    
The time of Drake’s death coincides with the time of broadcast. This episode of The Mysterious Traveler aired from 9:30 to 9:55 p.m., Eastern.

Episode #191  “COLLECTOR’S ITEM”
Broadcast February 17, 1949
Cast:
Bob Dryden (Jennings and Lansing); Cameron Prud’homme (Edward Morlock and the man); and Bill Zuckert (Cain Morlock).
Plot: Four hundreds miles south of San Francisco, Edward Morlock, a pale, plump man who has been confined to a wheelchair since an accident in his boyhood, proudly displays his private collection of merchandise related to hideous murders. These include a dress worn by one of the victims of Jack the Ripper and the very glass in which the notorious Dr. Crippen served poison to his wife. The only things lacking to make the collection complete, Edward remarks, are a murderer and a victim. After his servant, Jennings, discovers that Edward cheated his brother Cain out of his father’s will, the servant blackmails his employer. As a solution, Edward calls on his brother, Cain, wanted for numerous murders. Cain is morbidly sensitive about his unusually large hands, compulsively killing anyone who reacts and gets within reach of his hands. Edward tricks Cain into strangling the life out of Jennings, then drugs his brother unconscious so the police can take the killer away. Months later, Cain is executed -- but not before he swears revenge on Edward. A few days later, Edward is making arrangements for Jennings and Cain to be buried in the garden just outside the window -- his collection is now complete. When the echo of Cain’s voice torments vengeance against Edward, the handicapped victim dies from a heart attack… an bruises about his throat made by a pair of unusually large hands.

Trivia, etc. Maurice Tarplin doubled for the role Commissioner Tennant.
 
Episode #192  “TIME IS RUNNING OUT”
Broadcast February 24, 1949
Plot:
Captain Miller wakes to finds himself at an Army Airfield Hospital in Maine, delirious as he recounts to Lt. Wells and General Bryson the events that led to his present surroundings. Miller and Major Pulaski piloted the first experimental rocket, powered by rocket and jet propulsion, known as the XR-1. The metal is a new discovery which can withstand thousands of degrees of heat and reach an altitude of 300,000 feet. The launch goes according to plan but the flight suffers complications. The controls are frozen and the men are on a fast ride into the ionosphere. They have emergency rockets to slow them down, to act as a brake, when they re-enter the atmosphere but hesitate using them until the fuel is all used up. Hoping to raise a number of radio stations, the men overhear the Presidential Inauguration of Governor Webster. Hawaii recently became the newest state in the union and the date is January 20, 1953. At first the men believe some radio genius is giving them his cockeyed version of the world of tomorrow -- until they change channels and overhear a language they never heard before. Looking outside the observation window the pilots observe what they first thought were falling meteors. Then it turns out to be ships… hundreds of them… coming down to Earth. When the rocket ship plunges back to Earth, it crashes and Pulaski dies. Moments after Miller is done telling his story, he passes on. But his delirium may have some basis of truth to it -- 40 feet of tape from the tape recording machine was found among the wreckage and the strange language has been deciphered by folks back in Washington: “Supreme Commander to Fleet Commanders. We are now entering the Earth’s stratosphere. Alert all crews. Man all guns. Task Force A will proceed to destroy…”

Trivia, etc. Arthur and Kogan’s predictions of the future were not unrealistic. Hawaii did become a State on August 21, 1959. The first successful attempt at firing a rocket into space was achieved by the Soviet Union in about 1956 when their “Sputnik 1” was placed into orbit.


Friday, October 11, 2013

Bela Lugosi and THE VITALIS PROGRAM

Author John Dunning once wrote that George Jessel "may have been one of the best-known American entertainers, but he never made any headway in radio." While he is perhaps best known for being a toastmaster, the vaudeville star had a quick wit and a sharp personality that radio listeners enjoyed. He had a weekly variety program beginning January of 1934 and while none of his programs had a lengthy run on the air, he kept making return comebacks in various formats with various sponsors.

Last month a friend asked me to find a radio script for the October 13, 1939 broadcast of The Vitalis Program, starring George Jessel, with celebrity guest Bela Lugosi. How appropriate since the it was a Friday the 13th broadcast. A recording does not exist from that date so naturally a radio script peaks the interest of any Bela Lugosi fan. (Note the proper name of the program was The Vitalis Program, not The George Jessel Show. Many radio programs featured the name of the sponsor's product for maximum advertising promotion. The sponsor was Bristol-Myers(not Vitalis the product).) He told me it was a rare item that Lugosi fans have been seeking for years but what he did not know was that a copy of that radio script has been circulating among radio fans for years -- originating from the George Jessel file in the LOC NBC files. No rare find here.

Since Halloween is coming up, it seems only fitting to answer his request by scanning a copy of that script (thankfully my copy is an early generation dupe) and posting it on my blog for the spooktacular season. For all you Bela Lugosi fans, enjoy!
























Friday, October 4, 2013

Debunking the Myths of Inner Sanctum Mystery... or Mysteries

Inner Sanctum Mystery book
Inner Sanctum Mystery was not a great staple of American Broadcasting -- but the signature sound effect, that of the creaking door, was imprinted in the memories of radio listeners for generations. Himan Brown, the creator, producer and director of the 1941-52 radio program, would ultimately register the sound of the creaking door for Federal Copyright Protection on February 17, 1949, under the name "The Creaking Door," submitted in the form of a sample radio program -- marking one of two sounds ever copyrighted (the other was the three NBC chimes). Sounds cannot be copyrighted which is why, on a technical standpoint, the copyright on a creaking door stands to be challenged in court... but Brown did make much use with the sound effect by incorporating it as the signature opening for a later series, The CBS Radio Mystery Theater.

"The door told me to use it. The door spoke to me. 'Make me a star,' it said. It was a door that I used on the Dick Tracy series," Himan Brown later recalled. "I used all kinds of doors. When I did a sequence on Tracy with haunted houses or criminal background or some such thing, I used this door, and the door creaked. You didn't have to fake it; you didn't have to play with it. It was a door with rusty hinges that was badly sprung and it creaked."

Inner Sanctum Mystery advertisement
Simon & Schuster, publishers, was at that time publishing a monthly mystery novel under the byline of "An Inner Sanctum Mystery." The first was published in July 1930, I Am Jonathan Scrivener, written by Claude Houghton. The series initially took on a variety of genres, always indicated by the color of the book's binding: blue for serious drama, red for lighter fare (romance); and green for detective stories. Later, as a result of the radio program, the Inner Sanctum books contained solely mysteries. It was through Simon & Schuster that Himan Brown licensed the name for his radio program -- under one condition. At the conclusion of each broadcast the announcer revealed this month's Inner Sanctum mystery novel -- free publicity for the publisher.

If you can get your hands on a copy of The Lunatic Time, published in 1956 and written by John Roeburt, you will discover that the story is actually based on the Inner Sanctum radio broadcast, "The Unforgiving Corpse" from May 28, 1951. Roeburt, recycling his own stories, re-titled the same Inner Sanctum drama for the June 17, 1962 broadcast of Suspense, "The Lunatic Hour."

All this reminds me of the Warner Bros. cartoon, Racketeer Rabbit, from 1946. Bugs Bunny performs his usual antics against two caricatures of Peter Lorre and Edward G. Robinson. In one scene, a door opens with a long creak and Bugs Bunny makes a direct reference to Inner Sanctum Mystery.

For clarification, the exact name of the program is Inner Sanctum Mystery, not "Mysteries." Singular, not plural. A number of people have been challenging me on this, but I continue to ask them to listen to a recording of Inner Sanctum. While the earliest scripts of the series list "Inner Sanctum Mysteries," the announcer clearly refers to the program singular.

In 2002, I amateurishly put together a book about the radio program. (Yes, I titled the book Inner Sanctum Mysteries. That was done on purpose because most people incorrectly type the title wrong in search engines. And the book refers to the series as a whole plural so the title of the book was not meant to be the same as the program itself.) No one wanted to publish the book (probably my young age had something to do with it) so I self-published a compilation of assorted trivia and other pertinent information so fans of the program could learn more about the series beyond a brief entry in an encyclopedia. Since then, I finally acquired a complete run of each and every Inner Sanctum Mystery radio script, along with files of material from advertising agencies, library archives and other private collections.

One recording that circulates today is "The Amazing Death of Mrs. Putnam" and fans continue to debate whether or not the recording is the first broadcast of the series. I do not know the origin of the controversy, or why people insist it was never broadcast on the evening of January 7, 1941. Maybe it is because the announcer and host Raymond Edward Johnson never make reference to it being the premiere episode. Regardless, last week I received yet another e-mail telling me that my episode guide is inaccurate and "The Amazing Death of Mrs. Putnam" aired later in the series' run. So to close the file on this debate, enclosed is the NBC announcer sheet for that very broadcast, two production sheets verifying the cast, the announcer, the organist, the producer, and the title of the broadcast. Also enclosed are the first two pages of the radio script to verify the January 7, 1941 broadcast date.

An altered advertisement
For more information about existing Inner Sanctum Mystery radio broadcasts, CLICK HERE.

The advertisement featured to the right is "altered" and not original. Sadly, four different websites now reprint this ad and I do not believe the website owners are aware of this potential error. Take a closer look and you will see all reference to the name of the program, station call letters, broadcast time and celebrity has been superimposed in newer font. That means someone took the original advertisement and altered it. Not sure why -- there is a difference between an "alteration" and a "restoration" but whatever the reason, it's a darn shame that people are reproducing it on their websites. Altered advertisements have already begun creeping into published reference guides and that means whatever form of preservation and validity was attempted with those books... the authors failed. Reprinting an altered advertisement rather than the original is more terrifying than the creaking door.

Anyway, I am reprinting it for you to check out with your own eyes and verify. If someone wants to reprint an old newspaper advertisement for a radio program, all they have to do is simply visit newspapers on microfilm at their local library and print them out. You can go home and scan the advertisement and what little effort it takes to do so will be much more rewarding than high profile egg on face when the altered version appears in print and is pointed out in a book review. (My sole purpose of pointing this out is for others to reconsider if they gave any credence to plucking images off the web for illustration.)







Friday, September 27, 2013

2013 Mid-Atlantic Nostalgia Convention Recap

Photos by www.GuptillPhotography.com
My mother-in-law, Mary Ethel, runs the front registration desk at the Mid-Atlantic Nostalgia Convention. This past weekend one of the attendees, Roger Sirk, told her, "I would rather miss Christmas than miss this convention." Based on the feedback flooding my inbox, that appears to be the overall opinion from attendees after the convention came to a close. Michelle, my wife, convinced one of her co-workers at her day job to attend and they went back to work on Tuesday, they scolded the other employes for not going to the show, describing the event this way: "it was not a geek thing." MANC is not the kind of event that sparks comic con impressions. And after eight years I find it difficult to describe just what the three-day festival is all about.

Like many conventions, vendors offered a variety of products for sale ranging from books, tee shirts, movies, lobby cards, movie posters, glossy photos and vintage collectibles. Like many conventions, a handful of Hollywood celebrities signed autographs, posed for photographs and participated in Q&A sessions on stage. Quoting Brad Rogers, an annual attendee, "The Nostalgia Con is a throwback to conventions 20 and 30 years ago when they were fun and not like those today that try to rake people over with large admission costs and autograph fees." When Ed Asner got up on stage, he opened by telling the interviewer, "Okay, Chuckles, let's get this over with." The audience laughed and clapped with appreciation. Everyone loves the grumpy old man but Asner proved he has a soft heart and there is no doubt a special place in heaven for him.

Ed Asner and interviewer Tom Doty. Courtesy www.GuptillPhotography.com

Actress Margaret O'Brien and author Gregory William Mank.

Julie Newmar doing her Catwoman purr.
During her Q&A session, Julie Newmar answered a request from a fan in the audience and reprised her Catwoman purr over the microphone... the audience cheered and clapped. Margaret O'Brien talked about the dance sequence with Judy Garland in Meet Me in St. Louis (1958), followed by a special screening of the movie. For fans of The Rifleman, Johnny Crawford talked about his five years on the program and Jeff Connors talked about his father, Chuck Connors. The panel went over so well that Jeff asked me to make a copy and send it to him.
This year's bill of fare included almost two dozen slide show presentations ranging from the history of DICK TRACY in the comics (courtesy of Garyn Roberts), Gracie Allen's run for Presidency in 1940, and home movies of Brace Beemer (radio's LONE RANGER) courtesy of his grandson, Bob Daniel. Attendees included museum curators, magazine editors, authors and historians, obsessed fan boys and folks who share a common interest in the times gone by. Live re-enactments of old-time radio dramas, complete with scripts, sound effects and microphones were among the highlights. On display was The Blob silicone from the 1958 Steve McQueen horror classic. Yes, the original Blob! How cool is that?

That's the real movie monster, folks!  The Blob silicone on display.

Larry Storch. Photo courtesy of Melissa Saka Ginsberg.

Abbott and Costello impersonators walked around the hotel performing routines (including "Who's On First?). They even took time out to pose for photos with the celebrities. "Mr. Asner seems to like to come off as 'cantankerous', but we found him to be playful, funny and warm," said Joe Ziegler, pictured on the right.

Ed Asner with Abbott and Costello

Who wouldn't smile when Abbott and Costello are around?

Actor Robert Loggia was among the celebrity guests who took time to talk about his appearances in movies... let's see if we can name them all... the piano sequence with Tom Hanks in Big, the general in Independence Day, Scarface, The Sopranos, The Nine Lives of Elfago Baca, Hawaii Five-O, Jagged Edge, The Alfred Hitchcock Hour, three Pink Panther movies, Psycho 2, Prizzi's Honor, An Officer and a Gentleman, and a guilty pleasure of mine called T.H.E. Cat. When is that ever going to come out on DVD commercially? I asked Mr. Loggia, and his wife, and they both were as puzzled as I am.

Actor Robert Loggia with fan Kelly J. Sheridan.

Elizabeth Shepherd talked about her days on the stage in Shakespearean dramas, then introduced a late night screening of The Tomb of Ligeia (1964), directed by Roger Corman, and co-starring Vincent Price. Larry Storch was just as funny today as he was during his days on F Troop. Diana Sowle talked about her screen roles including Willy Wonka and the Chocolate Factory. Margaret O'Brien was a sweetheart and I had the honor of taking her back to the train station after the convention was over.

Talk about crowds. Last year's attendance spiked past 2,000. We hit 2,250 this year. Combating an aging fan base and a declined economy, it is nice to know our attendance record continues to grow. 

"I just wanted to let you know how much we enjoyed the convention. It’s the best one we’ve ever participated in. I thought driving 3,000 miles would make Roy want to swear off conventions, but he’s talking about doing it again next year. Wow!"
                              -- Sandra Grabman, author of numerous biographies

"The time seemed to pass rather fast and we didn't get to do everything we wanted to do, which indicates a good time was had by all."
                              --Ed Pippin of the Solar Guard Fan Club

"Please thank your great crew for being so courteous and treating us so nicely. This was the best show I've ever appeared at in thirty years of work in the industry. I will never forget it."
                               -- Rusty Gilligan, commercial artist

"Congratulations on a fantastic convention. Although it was my first, it will not be my last. I had a great time."
                              -- Bob Tevis

At times the convention was a bit crowded.

But who doesn't love a crowd? Adds to the excitement of the show.

Lewis Forro has a blog and posted two pages of photos from the convention. Check it out here:
http://pristine.webspaceforme.net/Facebook/dragoncon13_baltimorecon13_nostalgiacon13/nostalgiacon13/nostalgiacon1.html
 
Couldn’t get by without posting this photo.
I bumped into this beauty at the end of the show
as everyone was tearing down and packing up.
Love the Sock Hop poodle dress!


Check out Samantha's review on the Dick Powell blog: http://www.dickpowell.blogspot.com/

No event can run smooth without a speed bump along the way. On Friday afternoon, the power went out momentarily throughout the hotel (and from what I heard, the traffic lights outside as well). Thankfully the hotel had backup generators. We video streamed the seminars so folks in Alaska, Canada and France (among other places) could view the events live on their home computers. While the attempt was merely a field test this year, we do feel confident that the technology is good enough to warrant a permanent fixture starting next year. So this time there is no excuse to overlook the event in September 2014.

Many of the photos on this site were provided by www.GuptillPhotography.com