THE ADVENTURES OF THE SPACE EAGLE

In 1967, Whitman published the first of two books dramatizing the futuristic adventures of The Space Eagle, who was in reality Paul Girard, a millionaire whiz-kid playboy and heir to the world's biggest cosmetic empire, the House of Girard, who by night fought International crime at the request of the President of the United States. Many who used to work for George W. Trendle in Detroit, no doubt influenced by The Lone Ranger and The Green Hornet, ultimately created their own legendary heroes of fictional lore. James Jewell created The Black Ace, The Silver Eagle and provided assistance with a successful franchise known as Jack Armstrong, the All-American Boy. Raymond J. Meurer, attorney for George W. Trendle, created both the characters and the setting for what would become The Space Eagle (with assistance of Jack Pearl) who wrote the text for two Whitman hardcover books.

In the first book, Operation Doomsday, set in the near future after space travel was accomplished and norm, a Chinese Communist during the height of the Cold War named Dr. Lachesis Muta devised a diabolical scheme to start a nuclear war between Russia and the United States so that he could seize control of whatever was left of the earth. Mad scientist though he was, the plot had come fearfully close to succeeding. With bootlegged I.C.B.M.'s, launched from Muta's secret underground base in the mountains of Tibet, winging through space toward targets in the U.S.S.R. and the United States, only the Space Eagle and the untested S.W.I.F.T. had stood between the deadly nuclear warheads and total world destruction. 

Armed with a number of gadgets and weapons, including tranquilizer darts shaped like eagle talons (ala Green Hornet gas gun), and his vessel, S.W.I.F.T. (Space Warp Infinity Finity Transport) which traveled through outer space and defies the laws of physics and time as according to Einstein. (Additional influences from The Lone Ranger saga was the President's two reference to Paul's great-great-grandfather was a U.S. Marshal in the Oklahoma territory during the wild west days.)

By special order of the President of the United States, a new department of the U.S. Government, known as he Spacial Intelligence Agency of the U.S.A. was formed. Paul Girard was the only member of the organization, taking directives from the President. Paul's secret base was set in the middle of the hundred-acre tract of heavily wooded land in West Virginia. His sister, Julie Girard, was the gadget genius. 

In the second book, published in 1970, Operation Star Voyage, the Russians have managed to duplicate their own S.W.I.F.T., a ship capable of traveling past the speed of light. With assistance from Sam Aarons, a boyhood friend and friend of the family, Paul and Sam travel to an unexplored region of the galaxy to meet a race of space aliens that looked remarkably like Earthmen, except that they were pygmy-sized and were entirely hairless. Their skin was albino white, almost as transparent as glass. Paul explains to the aliens of the perilous arms race between the Free World and the Iron Curtain countries, how spartanism was discovered and how it led to the building of the S.W.I.F.T., and the crisis that existed on Earth because the Russians were developing their own matter-anti-matter engine -- and because they only source of spartanism was in their territory. Should the Russians get their hands on the spartanism, the safety of the entire galaxy was threatened.

Dr. Lachesis Muta, as it turns out, is alive and well and leading a band of renegade pirates. Laser rifles, space ships, space aliens, and an arch nemesis were bound to show up in additional volumes had a third and fourth book been published. Alas, the series ran only two novels. They are both enjoyable reads and easily affordable in the collector market.

Lost Radio Episodes of "THE GREEN HORNET"

It was not until May of 1938 that The Green Hornet radio program was recorded on a regular basis. Prior, the radio broadcasts originating from WXYZ in Detroit, Michigan, were never heard again after the initial broadcast. No sooner did the broadcast conclude, the actors tossed their scripts into a box in the corner of the room and began rehearsals for the next drama (usually The Lone Ranger). As a result, the first two years of the program does not exist in recorded form. Thankfully we have the radio scripts to consult. Enclosed are plot summaries based on the script pages, "lost" adventures of the masked man and his faithful valet, Kato.

Episode #202 [NO TITLE LISTED] Broadcast Thursday, January 13, 1938

Copyright Registration D-2-#54638, script received at Registration Office Jan. 17, 1938.

Plot: Wilfred Chatterling, wealthy bachelor about town, is caught speeding and is given a ticket. Appearing before Judge Woodmancy, who is known for being strict, Chatterling gets 30 days behind bars. Since he wants to avoid being married to Muriel Pankow, the jail term provides a pleasant solution. When Britt Reid learns the stiff sentences are thwarted by Mark Pringle, an attorney who was once a gangster’s mouthpiece but never disbarred, he suspects the attorney, the judge and the bail bondsman of profiting from the victims. The Green Hornet attempts to set a trap, but Kato overhears the men planning to cross The Hornet, so Reid sets up a plot of his own to smash the racket.

 

Episode #203 [NO TITLE LISTED] Broadcast Tuesday, January 18, 1938

Copyright Registration D-2-#54687, script received at Registration Office Jan. 21, 1938.

Plot: The brokerage house of Stevens and Wade was in bad shape. Three months ago it was threatened by lawsuits on every side, and before the partners landed in jail for violating a dozen laws, Benjamin Wade was found dead in his study — an apparent suicide. Now, Hymie Hawks is hurt in an auto accident and in his dying words confesses to Ed Lowry, a reporter on the scene, how he murdered the prominent stock broker, faking evidence to suggest suicide. Hymie dies before he can reveal who hired him. Lowry writes a story for The Daily Sentinel, and Reid uses Lowry as bait to catch the killers. After gassing a fake cop, The Green Hornet learns the names of the guilty parties and arranges for evidence to fall into the hands of the police to convict Kirk Stevens.

 

Episode #204 [NO TITLE LISTED] Broadcast Thursday, January 20, 1938

Copyright Registration D-2-#55314, script received at Registration Office Feb. 18, 1938.

Plot: Jane Birch of the school board is accused of graft and resigns without making a statement to the press. The Daily Sentinel had learned she was receiving a cut from wholesalers from whom she ordered musical instruments, books and school supplies. Late at night, Kato and The Green Hornet set out to meet the school board’s Henry Altman, one of the individuals taking a cut from the pay of the teachers he promoted and arranged for Jane Birch to take the rap for him. The masked men tie and gag their victim; Kato keeps the man unconscious with injections for two days while Reid tracks down the missing Jane Birch, who tells all to police when she believes The Hornet killed Altman and she may be next. 

 

Trivia, etc. Fran Striker reused this script, with slight revisions, about a crooked councilman and a school board member named Jane, in “Find the Woman,” broadcast March 2, 1948.

 

Episode #205 [NO TITLE LISTED] Broadcast Tuesday, January 25, 1938

Copyright Registration D-2-#55315, script received at Registration Office Feb. 18, 1938.

Plot: A bill is being introduced in the state legislature to regulate finance companies, making fraud more difficult. The finance companies, however, hire lobbyists to oppose the bill. When Reid learns how they are putting pressure on representatives from upstate communities to vote against the bill, he becomes The Green Hornet. Issuing wholesale threats, The Hornet hopes public concern will turn against the lobbying and sets off smoke bombs in the Grand Hotel in broad daylight to lure the legislators who are against the bill to leave the capitol long enough for the measure to pass.

 

Episode #207 [NO TITLE LISTED] Broadcast Tuesday, February 1, 1938

Copyright Registration D-2-#55316, script received at Registration Office Feb. 18, 1938.

Plot: Having walked in front of a speeding bus, Andrew Clark, is dying and confesses to reporter Ed Lowry that he took his own life because he was swindled and broke. Steered to real estate crooks through an ad in The Daily Sentinel, he was fleeced. Clark’s wife visits the newspaper office intending to shoot Britt Reid because of the advertisement, but Reid takes the gun away and hears her story. The Green Hornet sets out to smash Arnold Bixby by picking up Mert Holmlund, a suspected killer, outside police headquarters and driving to Bixby’s office, where he establishes a set-up that has the police following The Hornet’s trail. The scheme works and some of the money Bixby stole from the public is recovered.

NOTES: These plot summaries were reprinted from The Green Hornet: A History of Radio, Motion Pictures, Comics and Television, by Terry Salomonson and Martin Grams, Jr.

Sergeant Preston of the Yukon Comic Books

From 1951 to 1959, a series of 29 comic books featuring adaptations of the radio scripts, were published by Dell Comics, which was the comic book publishing arm of Dell Publishing, which got its start in pulp magazines. The Dell Publishing Company was founded in 1921, and from 1929 to 1974, published comic books under the Dell Comics line, the bulk of which (1938-68) was done in partnership with Western Publishing. The company formed a partnership in 1938 with Western Publishing, in which Dell would finance and distribute publications that Western would produce. While this diverged from the regular practice in the medium of one company handling finance and production and outsourcing distribution, it was a highly successful enterprise with titles selling in the millions. By 1953, Dell claimed to be the world’s largest comics publisher, selling an estimated 26 million copies every month. 

Dell Comics was best known for its licensed material, most notably such characters as Mickey Mouse, Tarzan, Bugs Bunny, Donald Duck and The Lone Ranger. The latter of which was the reason why the company sought interest in Sergeant Preston of the Yukon. 

With routine profits coming in from The Lone Ranger comic books, and George W. Trendle promising television was being considered for the property, Dell entered into a license agreement to publish comic books based on the same property. Hired to create oil paintings for Dell, artist Morris Gollub (1910-1984) was commissioned to create lavish art for the covers of the Sergeant Preston comic books. Gollub began his career in 1937 as an animator and lay-out artist for the Walt Disney Studios, having worked on such classics as Bambi (1942). Beginning in 1946, he was hired by Dell Publishing/Western Comics to handle such tasks as Lassie, Robin Hood and The Lone Ranger. The paintings he created for the front covers always told a story, suggestively revealing the scenes that occurred both before and after the action scene depicted. Gollub’s art was featured prominently for the first 18 comic books. Beginning with Issue #19, his art was replaced with the publishing company’s budget-cutting measures of utilizing a publicity still from the television series.

Personally, I am not a fan of the covers with Richard Simmons on the front. I prefer those from the oil paintings. The cover art for those early issues featured dramatic action on the part of King, often telling a story in itself even though the cover art had nothing to do with any of the plots in the comic books. As an example the one above where Preston and his dog are locked in a shed and King races to extinguish the fuse in the death trap that was set for them. Gorgeous covers!

Each of the comic books contained an average of three short adventures. None were originals; all were adaptations from the original radio scripts. (The majority from 1951 and 1952 radio adventures.) As an example:

Issue #10, February – April 1954

Date of Publication: December 29, 1953

Copyright Registration # © B-456418

“A Fight for the Future” by Tom Dougall, broadcast December 30, 1952

“McAllister’s Bonanza” by Steve McCarthy, broadcast December 23, 1951

“Stand-In for Cheeka” by Fran Striker, broadcast April 15, 1952

 

Issue #11, May – July 1954

Date of Publication: April 8, 1954

Copyright Registration # © B-483743

“The Calumet Gold Robberies” by Betty Joyce, broadcast June 29, 1952

“The Shelf Ridge Incident” by Dan Beattie, broadcast May 29, 1952

“The Stolen Horse” by Betty Joyce, broadcast September 30, 1952

Internally, the art was drawn by Alberto Giolitti (1923-1993), an artist with a style unique and high attention for detail. It was clear from an early age that he had a talent for drawings. After the war, Giolitti emigrated to Argentina, where he produced police stories and novel adaptations. In 1949, he emigrated to New York City, where he had a long and happy collaboration with Dell Publishing, and later Gold Key. He would become known for his work on Dell’s Gunsmoke and Tonto, and Gold Key's Twilight Zone and Star Trekcomic books. His unique style was evident in the art for Sergeant Preston, which often looked better in black and white than in color. He made use of shadows for numerous panels, storyboarding what could be described as an adaptation of a filmed production, often with views from the side hip or from alongside the hero.

 

The art style of Giolitti works better in black and white, not color, which diminishes the shading and style for which Giolittli was able to pull off on the drawing board. This is a darn shame when you see the occasional inside back cover with the conclusion of a story, in black and white, while in contrast with the colored page the left.

All of the stories inside the comic books were adaptations of the radio scripts, selected and submitted by Fran Striker, who as story editor was best suited to select suitable stories from the radio program. None of the stories were adapted from the television rendition, though, to be technical, the television stories were adapted from the radio adventures. Radio scripts authored by Dan Beattie, Steve McCarthy, Betty Joyce and others were used in the comic books, although none of the authors were credited in the comic books, nor did they receive a royalty from George W. Trendle for their use and adaptation. (For a complete list of which radio scripts were adapted into each issue of the comic book, see Appendix D.) 

The first issue, published in the summer of 1951, was titled Sergeant Preston from Challenge of the Yukon, because it was believed the name of the character would sell better than the title of the radio program. It was soon after that the radio program changed its name to Sergeant Preston of the Yukon and, beginning with the second issue, dropped all reference to Challenge of the Yukon. The copyright registration for the first four issues were cited “Challenge of the Yukon,” before the name change was applied on the copyright. 

Beginning with Issue #18, a new feature was added to the comic books, the adventures of Gray Wolf, Leader of the Wolf Pack. As suggested by the title, these were adventures of a wolf and his experiences across the wilderness. In one adventure, Gray Wolf and his tribe faced off against a pack of white wolves for a downed caribou, necessary to survive during the winter months in the Yukon. In another adventure, Gray Wolf staved off a large grizzly bear to save the life of his mother, Neetka, who was chased down and cornered. These adventures of the wild were included in every issue through no. 29.

In the spring of 1956, four additional comic books were printed, distributed in boxes of Quaker Oats, and were smaller in size (7 inches by 2.5 inches) and 16 pages. There were four comics total, each reproducing a story that was used on the radio program.

 

No. 1, The Case That Made Him a Sergeant

© March 9, 1956, A245582

 

No. 2, How He Became a Mountie

© March 9, 1956, A245585

 

No. 3, How He Found Yukon King

© March 9, 1956, A245584

 

No. 4, How Yukon King Saved Him from the Wolves

© March 9, 1956, A245583

DICK TRACY MEETS THE NIGHT CRAWLER (1945)

In 1945, Whitman Publishing released the second of two hardcover books, written by Chester Gould. The other was Dick Tracy, Ace Detective (1943). Having learned that the stories were original and not adaptations of comic strip adventures, I bought the books with the intention of reading them. The original story for Dick Tracy Meets the Night Crawler (1945) turned out to be a fantastic story.

 

A board member of a local mining enterprise has gone missing and Dick Tracy, while on vacation with Junior and Tess, finds himself assisting the local sheriff. When the villainous fiend calling himself “The Night Crawler” kidnaps Junior and Tess, Dick Tracy redoubles his efforts, until he, too, is captured! 

 

For anyone who read all of the newspaper comic strips and are wishing for more Dick Tracy adventures, this book was not only written during Gould’s prime, but equivalent to some of the best of the comic strip. All of which is a long-winded way of saying that it was a darn shame he never adapted this into the comic strip.

Chester Gould not only wrote the story, but provided about 18 illustrations for the book. Had he used this story for his newspaper strip, no doubt the illustrations would have matched. 

 

So if you are looking for a good read, this is one seeking out.