Friday, January 5, 2018

The Shape of Water (2017) Movie Review

Let me start off by saying I have never been a fan of Guillermo Del Toro, his directing style or his choice of material. The Shape of Water, written, produced and directed by Del Toro, dramatizing the story of a mute janitor who falls in love with an aquatic creature housed at a Government lab in the 1960s, will probably be regarded as one of his best films. A bizarre love story, this whimsical fantasy has a little of something for everyone and provides us with the best acting performance of 2017.

Sally Hawkins plays the role of Elisa, a mute woman working for a government agency in Baltimore, Maryland. Single and lonely, she found friendship among the oppressed -- a black woman who also works as a janitor at the same employment, and her next-door neighbor, a closeted gay man who tries to take back his job as an artist for an advertising agency in an era where photographs are replacing custom art. During her daily routine as a janitor, she sneaks off during lunch time to find solitude and companionship with an amphibious creature, brought to the lab under special guard. But when the military insists dissecting the gill man may provide the key to beating the Russians in the space race, Elisa, with assistance from her friends, sets out to free the creature and return him to his native habitat.

Everyone playing leads in this movie delivered fine performances but the Oscar-worthy contender here is Sally Hawkins, best known for Godzilla (2014) and the two Paddington movies. After watching numerous silent films featuring Charlie Chaplin, Buster Keaton, and Laurel and Hardy, she mimics the best of a silent screen actress by communicating through the use of facial expressions and emotion. For the benefit of the audience who did not understand sign language, subtitles were provided at times; actors reading her hand signals verbally communicated on screen as well. But no one needed either of these to read her thoughts as projected on celluloid. This was how Hawkins delivered what might be the best performance of the year. The actress will receive numerous nominations come awards season -- and deservingly so.

Many who saw the movie trailer promoting The Shape of Water might have suspected this was an updated rendition of The Creature from the Black Lagoon. The costume of the gill man was clearly inspired by the 1954 classic. Michael Shannon's character says early in the movie that the creature was picked up in a river in South America, the same setting for the 1954 horror classic. But this creature has heart in a world where everyone privileged is being mean to everyone else. This may be why the relationship between Elisa and the gill man stands out through the movie.

Do not mistake this as a horror film. This is clearly a love story, inspired by the 1940s studio musicals (Betty Hutton, Alice Faye, etc.) so it comes as no surprise that the director initially wanted to shoot the entire film in black and white. Believe-it-or-not, it costs more to shoot a film in black and white these days and due to budgetary concerns, the film was shot in color with green motif. Watch carefully for numerous tip-of-the-hat references such as Jenkins' sketch of Audrey Hepburn on his drafting board in one scene -- Sally Hawkins' character was named Elisa, the character Audrey Hepburn played in My Fair Lady. Hawkins even mimics Audrey Hepburn early in the movie.

To enjoy this offbeat underwater love story, director Guillermo Del Toro set out to accomplish  suspension of disbelief -- an essential element to watching a fantasy similar to Mr. Peabody and the MermaidLost Horizon and King Kong. Even if the movie does not win a ton of awards in the coming months, it can be regarded among one of the best fantasy movies made.

Monday, January 1, 2018

Happy New Year!

The way I look at it, if Sports Illustrated can have their own swimsuit issue, we can have one of our own to ring in the New Year!

Ann Rutherford
Clara Bow
Jane Greer
Olga San Juan
Cyd Charisse
Jennifer Jones still opening packages for Christmas.

Friday, December 29, 2017

The Bing Crosby CBS Radio Recordings, 1954-56


Fans of Bing Crosby can rejoice! Over 160 unreleased tracks are now available on a seven-CD box set, complete with liner notes and booklet. Following a weekly radio program over NBC, ABC and CBS, for almost two decades, Bing Crosby realized the medium of television was sucking up advertising revenue. By 1954, big-budget radio could no longer compete with the video tube and he began a downsized daily series. Five days a week, fifteen minutes a day, Crosby could be heard over the air in a series of pre-recorded musical programs, sans celebrity guests. The singer recorded an enormous "pool" of songs in a number of recording sessions, which would be used in hundreds of broadcasts on CBS. Derived from these are the treasures in this collection, made possible by a visionary's gamble, an engineer's wizardry and a transformative substance called "tape."

Like buried treasure reclaimed from the past, this remarkable set is like no other Bing Crosby collection ever released. With longtime accompanist Buddy Cole, fifteen recording sessions were remastered and released on this impressive box set through Mosaic Records. While Crosby felt at the time that his voice was not what it used to be, fans of the crooner would never tell when listening to these gems. They were not initially intended to be issued on records, through several tracks were instantly pressed into service for two popular Decca albums. But the majority of the tracks in this set have never been released or heard in decades. 

The set contains a large 16-page book with two informative essays (well-written and accurately researched) by music historian Martin McQuade, and author/historian Gary Giddins. This set is limited to a print run of 20,000, retails $120, is absolutely remarkable, and while the price tag might be a bit steep, less than $20 per CD is not bad when you consider all the music licensing and digital restoration involved. Which leaves me with a thought to ponder: how many vocal legends have un-released tracks still sitting in the vaults, ready to be discovered?  

Monday, December 25, 2017

Hollywood, Christmas Style

For those of you hoping I would continue with the annual tradition of featuring holiday glamour photos of Hollywood eye candy, you won't be disappointed. Randomly selected from the archive.... here you go!

Jean Harlow
Yes, that's Norma Shearer.
Paulette Goddard (not under the mistletoe, darn)
Ruth Roman
Louise Fazenda
Ava Gardner. I love the color in this one.
Dorothea Kent
Joan Bennett and her daughter
Wanda Hendrix
Can't go a year without Clara Bow...