Friday, April 4, 2014

Captain America: The Winter Soldier movie review

There is only one new movie being released to theaters this weekend and it is the film comic book fans have been waiting for. Whereas The Avengers brought us snappy little one-liners and lots of humor, Captain America: The Winter Soldier ventures into the real world of true grit. Suspenseful and politically astute, the Marvel franchise advances the story while respecting the mythos of the comics.
Captain America and Nick Fury
Captain America and Nick Fury
Before I delve into The Winter Soldier, I would like to present a brief recap about Captain America, who made his comic book debut nine months before the U.S. entry into World War II, in March of 1931. A patriotic soldier created for war propaganda, the character evolved into something of a pop culture icon over the years. It is not the combat fisticuffs that we enjoy reading in the comic panels... it is what Captain America represents that appeals to many. For The Winter Soldier, the script writers established what Captain America stands for and, by extension, what America stands for too. Nothing is more red, white and blue than political scandal. Captain America goes up against this with a little help from his friends.... while combatting an old friend from his past.
The character made the transition to the silver screen in 1944 as a Republic Pictures cliffhanger serial. (If you never watched the serial, make an effort to do so only as an example of how the studio made use of the costume and character name; nothing else resembled the comic version.) Two live 1979 made-for-TV movies were produced with Reb Brown in the lead. Serving as television pilots, the movies went about a contemporary approach to the character that was more faithfully adapted as an animated cartoon series in 1966. In 1990, another motion-picture was made with Matt Salinger, sporting a 1940s hair style in a modern-day world where The Red Skull has since undergone plastic surgery and no longer has a red skull. (Yeah, I didn't like that either.) Then in 2011, Marvel independently produced their own version and succeeded where the four prior attempts failed. Fan boys rejoiced, critics raved and the box office receipts were large. The 2011 motion-picture was originally planned back in 2005, when Marvel Studios received a loan from Merrill Lynch, and planned to finance and release it through Paramount PicturesAfter inclusion with The Avengers in 2012, fans wanted more. And this weekend fan boys can flock to the theaters to enjoy another round of ol' Cap.
Captain America and The Falcon
Captain America and The Falcon
It is tough to call this a sequel because there are no gruff army colonels, big band music, propaganda posters and violent Nazis; The Winter Soldier is virtually a reboot of the franchise. And perhaps one of the most important in the Marvel movie universe. This is the film that will catapult future Captain America sequels and give us a glimpse of what to expect if and when Captain America 3 is theatrically released. If you have seen all the prior Marvel movies, you probably noticed how the studio wants to do something different with each picture. No cookie cutter format with any given series. But some pessimists of the world doubted whether a new Captain America movie could muster the same strength of The Avengers, citing the latter as a fluke due to public interest of a superhero team-up concept. Iron Man 3 was an overall disappointment with fans (they wrote out The Mandarin? What's with that?) and Thor 2 was appreciated by those who disliked the first film. But could Marvel accomplish great stories and raise the bar again? Motion-pictures today are geared toward a younger audience (hey, it's about demographics) and the focus on the silver screen has changed over the decades. Storytelling is often tossed aside for more action scenes and explosions. For The Winter Soldier, the studio rose the bar and offered a plot that proves the franchise is deeply rooted in Marvel's bank account which can only grow larger with each installment. But don't compare this movie with The Avengers. Seriously, it's a Captain America movie... not an Avengers movie.
It is an espionage thriller,  a spy movie, a top-notch action-adventure, and superhero cinema that reflects important social/political questions of our time. Marvel has yet to make a horrible comic book movie. Fanboys will be pleased to know that iron-jawed Steve Rogers still knows how to throw a shield, bust people in the jaw and lay his life on the line for something he believes in. My wife and I had privilege to watch the movie before it got released nation wide on Friday and we both agreed that the insurrection scene between S.H.I.E.L.D. agents before the thrilling climax was about as tense as cinema blockbusters get... and proof that what the world needs is a little guidance from a man out of time but has taken the effort to adjust to his new surroundings.
Captain America and Black Widow display their mean streak against Agent Jasper.
Captain America and Black Widow display their mean streak against Agent Jasper.
Along the way you'll meet Sam Wilson, a.k.a. The Falcon, who was also Captain America's sidekick in the comics. Black Widow's past is explored in more detail. Robert Redford was perfectly cast as Alexander Pierce, in a role that reminds me of the political thriller, All the President's Men. Redford gets the best lines and delivers them with equal brilliance. As for Captain America, hunted by both S.H.I.E.L.D. agents and the enemy (that's as far as I will go in revealing anything about the plot), he is able to out maneuver the villains without the need of satellites, computers and advanced gadgetry. Alfred Hitchcock once established the "double chase" with The 39 Steps (1935), later culminating with North By Northwest (1959) -- an innocent man who is hunted down by both the villains and the police. The Captain America sequel rightfully proves that the formula works even in today's movie market. To give away anything about the plot or the best the movie has to provide would mean offering spoilers. Any plot summary will give away spoilers. The entire script is loaded with twists and surprises that you have to go see the movie before other people unscrupulously spoil the fun for you. For those of you who prefer the old World War II setting, you'll be pleased to know there are many WWII elements here in the movie to satisfy your thirst.
If you plan to see the movie, there are three things to know before you go. One, the new Avengers tower can be glimpsed in the background of one scene. Keep both eyes open or you'll miss it. My wife saw it; I missed it. There is a reference to the up-coming Doctor Strange movie during the film. Consider it an Easter Egg but I'll provide a hint: Stephen Strange's name is on the "hit list." Keep an eye out for that one. Lastly, stay all the way through the closing credits. All the way to the very end... not just half way through the closing credits. I mean to the very end...
What makes this film all the more interesting is whether or not Marvel can pull off another great sequel with Captain America 3. We will have to wait till May 6, 2016 for the answer to that one.

Friday, March 28, 2014

The Shadow: Secret Society Bulletin

Now here's an oddity that I was never aware of until a friend of mine, Alex Daoundakis, brought it to my attention. In fact, he recently bought one and handed it to me to check out. It seems in the late seventies, a fan club for The Shadow generated a newsletter that members received for free. These were the days when the internet did not exist so fan clubs like these rarely reached the 1,000 figure. According to most estimates, many of these clubs rarely reached the 100 figure. The newsletters are not easy to come by and when they are offered for sale, the prices are sometimes astronomical. A friend of mine who does research on pulp art said newsletters and fanzines from the 1970s and 1980s often provide information you cannot find elsewhere. 

Case in point: this issue reveals conventions Walter Gibson was featured as a celebrity guest, collector edition posters for sale (I saw one of these once and wondered who made it and when they were made), the Steranko paintings and the cover art for new paperback reprints, and a tease for the up-coming Shadow Scrapbook authored by Walter Gibson. Here's a scan of issue number 3 (courtesy of Alex) for your amusement. Click on each page to enlarge.


Monday, March 24, 2014

Mr. Peabody and Sherman: Movie Review

I have to disagree with most of the film critics here. Mr. Peabody and Sherman is not only faithful to the original Jay Ward cartoon, but of all the movies made in the past three years that were adapted from established pop culture, this one is the best. We all joke about how Hollywood cannot do anything these days that doesn’t involve a remake of some property with established success… and then messes it up, disappointing the fan base that are counted on to buy the movie tickets. 
Mr. Peabody and Sherman movie poster
Mr. Peabody and Sherman movie poster
As a fan of Rocky and Bullwinkle, you can imagine how much cheering I did when I heard they were making a movie based on one of those cartoons, Peabody’s Improbable History. The segments, created by Ted Key, featured the voice talents of Bill Scott and Walter Tetley. Every week the educated dog and his boy went back in time through his WABAC to help set straight the course of actions that led to a historic event. Every cartoon ended with a bad pun… often encouraging the television viewer to cry “boo.” If you haven’t watched those five-minute cartoons in the last decade or two, YouTube might provide a quick recap. (Or do yourself a favor and spend the $60 for the complete box set of all five seasons of Rocky and Bullwinkle.)
Director Rob Minkoff wanted to make the movie back in 2003 as a live action film. This never met fruition until 2006 when he succeeded in securing a contract for an animated movie at DreamWorks Animation, production starting in 2007. No stranger to Hollywood politics, casting and production kept pushing and delaying the movie. Robert Downey, Jr. was originally slated for the role of Mr. Peabody, but Ty Burell replaced him in early 2012. The release date was originally November 2013, then pushed to February 2014, then early March 2014. This, of course, kept making me wonder if there was something wrong with the film.
And in retrospect, Hollywood’s success rate of producing remakes of established franchises are worse than batting averages. Producers in Hollywood keep thinking that making changes to a format, which a loyal fan base branded in their minds, will be received with applause. Why tamper with a formula that is already geared to the fans? You don’t see Batman flying through the air in pink tights, do you? Name me a Batman movie that flopped in the theaters… you cannot.
Peabody's Improbable History
Peabody's Improbable History
So with Mr. Peabody and Sherman in the local theaters, my wife and I made an effort to go watch the movie. And I am proud to say that all you loyal fans of Rocky and Bullwinkle… go see the movie. The director did not tamper with the formula. Bad puns fill the screen, adult jokes are tame enough to laugh at but goes over the heads of young children, and a number of scenes were reconstructed from the old cartoons. Remember the episode with Leonardo Da Vinci trying to get the Mona Lisa to smile and Peabody came along to help set the course of history? They reconstructed that episode in the middle of the movie. Like the original cartoons, young children will also receive brief history lessons proving this movie of educational value. No vulgarity. Violence is kept to a minimum and usually as a chase sequence as Mr. Peabody and Sherman try to escape Egyptians and Romans.
Peabody's Improbable History
Peabody's Improbable History
Tiffany Ward, daughter of Jay Ward, one of the creators of the original series, served as an executive producer, whose job was to make sure the film stayed “true to the integrity of the characters.” When she was approached by Minkoff ten years before the film’s release, she was enthused by his intention to respect the legacy. Lengthy pursuit to make the adaptation “perfect” took them a long time, but she was pleased with the end result, which stayed “very true to the original cartoon.” With DreamWorks’ acquisition of Classic Media’s ownership of the Classic Media Library (which includes all of the Rocky and Bullwinkle cartoons), it is assumed that DreamWorks is already planning the next adaptation. Rocky and Bullwinkle perhaps?
Peabody's Improbable History
Peabody's Improbable History
By the way, I cannot resist in pointing this out. If you are a geek of Hollywood movies, you might remember a character in the 1985 motion-picture, Back to the Future, named Otis Peabody… and his son named Sherman. A tip of the hat to the cartoons that proved time travel was cool.
Mr. Peabody and Sherman won’t be the best film of the year. But it is worth paying for a ticket, thus supporting the producer and director. It is the only way we can tell them how much we appreciate the fact that they made a movie faithful to the original material.

Friday, March 21, 2014

Clara Bow on "TRUTH OR CONSEQUENCES"

Clara Bow, silent screen actress
Hollywood celebrities participating on a radio quiz program was not uncommon during the forties. In 1946, when Jack Benny prompted an "I Can't Stand Jack Benny because..." contest, inviting radio listeners to submit the closing half of the statement, screen horror icon Peter Lorre was one of the three judges. (Ronald Colman read the prize-winning submission.) But when it came to stunts, you could look no further than Ralph Edwards and his quiz show, Truth or Consequences, which is regarded as one of the most popular audience participation programs of the forties. Little did he know at the time the program first premiered in the airwaves, on the evening of August 17, 1940, he would ultimately become host to one of the most popular sex symbols of the silent cinema.... Clara Bow.

Sponsored by the Procter & Gamble Company, Truth or Consequences originated out of New York City with Ralph Edwards as master of ceremonies and Bill Meeder at the organ. Participants were picked from the audience and on mike was asked a question. If the contestant answered correctly, they received $15. If they answered incorrectly, they received $5 -- but they must pay a consequence -- which was usually submitted by the radio audience. The best consequence act of the evening, as shown by the applause meter, won a $25 Defense Bond. Contestants who were chosen from the audience but did not get a chance to appear on the program received $2. Each contestant, whether appearing on the program or not, received five large cakes of Ivory Soap. (Procter & Gamble had to inject their product placement somewhere…)

Highlights of the program included the April 5, 1941 broadcast, which originated from Hollywood instead of New York City. During the program, Mrs. James Hays, winner of the Grand Prize in the Ivory contest, spoke a few words. On the August 2, 1941 broadcast, Martin Lewis, editor of Movie-Radio Guide magazine, presented a trophy from the magazine to Ralph Edwards for his program.

Ralph Edwards at the radio mike.
Beginning with the March 17, 1945, broadcast, Truth or Consequences originated out of Hollywood instead of New York. The format of the program also changed with the times, offering unique ways of awarding prizes to contestants. On the evening of December 29, 1945, Edwards began what was intended as a spoof of giveaway shows but soon propelled into a phenomenon. Each week a veiled mystery man, known only as "Mr. Hush," gave clues to his identity in doggerel. Edwards wanted Albert Einstein, who wasn't interested: he settled for Jack Dempsey, which took five weeks for a contestant to guess correctly. The pot built week after week, providing the winner of that contest a total of $13,500.

A subsequent "Mrs. Hush" contest began on the evening of January 25, 1947. The stunt was tied in with the March of Dimes. Listeners who heard the woman's voice and thought they could identify the owner of the voice could send their letters to "Mrs. Hush, Hollywood, California." (Back then the U.S. Post Office was able to deliver letters with such addresses. And letters were delivered almost overnight. Talk about the inefficiency of today's system!) Listeners were instructed to completed in 25 words of less the following sentence, "We should all support the March of Dimes because -----." Radio listeners had to make sure their name, mailing address and telephone number were printed plainly in the upper right-hand corner of the paper upon which their letter was written. They were also required to include a contribution to the March of Dimes. Any amount was allowed. From a penny to a $100 bill, submissions and donations poured into the Mrs. Hush office. While the donations were accepted, an estimated ten percent of the submissions were thrown out people listeners did not write their name and phone number clear enough to be understood. (Hey, sloppy handwriting is more common than you think.) 

The radio announcer explained that two weeks from tonight, the writers of the three best letters would have a chance to answer a telephone call from Ralph Edwards and have a chance to identify Mrs. Hush. The prize for identifying Mrs. Hush was a 1947 Ford Sportsman Convertible automobile, a Bendix washer, and a round-trip ticket to New York City for two with a weekend reservation at the Waldorf-Astoria Hotel while in the city. Who could not resist mailing a donation to the March of Dimes for a chance at that?

For every week contestants could not identify Mrs. Hush, three more prizes were added to the pot. It was requested of the radio audience not to include the name of Mrs. Hush in their letters -- that would be reserved for the phone call broadcast "live" on the air. Listeners could submit a donation every week if the contestants could not guess correctly.

Because the program was not transcribed and a repeat broadcast for the West Coast was "dramatized," the West Coast radio audience was instructed to be at the phone during the East Coast broadcast, in case they were to receive the call. Only one attempt would be made to reach the listener. On a technical side, before the radio contestant went on the air, a representative of the radio program sought verbal permission to re-enact the on-air conversation for the West Coast broadcast.

The judges in the contest were Federal Judge J.F.T. O'Conner, Roy Natiger, head of the Los Angeles County Chapter of the National Foundation of the March of Dimes, and Dr. Vierling Kersey, Superintendant of Los Angeles City Schools. This was for the slogan contest and the choosing of the contestants. Entries were judged on the originality, aptness of thought, and sincerity. (And of course, whether the handwriting could be read.)

Clara Bow at the radio

It was specified that Mrs. Hush could be from anywhere, and not necessarily from Hollywood. On the January 25, 1947, broadcast, Mrs. Hush read the following four-line jingle:

"Two o'clock and all is well;
Who it is I cannot tell;
Queen has her King, it's true,
But not her ribbon tied in blue."

A celebrity guest did assist with the January 25 broadcast, actress Louise Arthur, but she was not Mrs. Hush and that was clarified for the radio audience. For the February 1 broadcast, it was specified that any letters received through February 4 would be counted in the February 8 broadcast when Ralph Edwards phoned three lucky contestants. Letters received after February 4 and up through the next week would be used on the contest for February 15, etc. 

Clara Bow during the silent era
On the February 1 broadcast, two of the famous Basenjis dogs, the barklessof Africa (Belgian Congo), were used in a contest. Ralph Edwards commented upon the growing popularity of the dogs as household pets in the country. He referred to the Magazine Digest January issue which had an article about the dogs. The dogs used on the program were flown in from the Hallwyre Kennels in Dallas, Texas. Three more prizes were added to the pot for this broadcast, even though Edwards did not call any contestants. A $1,000 full-length silver fox coat (provided by I.J. Fox), a Columbia Trailer, fully equipped and sleeps four, and a $1,000 diamond and ruby Bulova watch.

During the February 8, 1947 broadcast, the three people who were phoned had failed to identify Mrs. Hush, so three more prizes were added to the pot. These included a Tappan range, a Jacobs Home Freeze Unit packed with Birdseye Foods, and a 1947 RCA Phonograph-Victrola combination with 100 records. Edwards reminded the radio listeners that Mrs. Hush was heard from "Shang-ri-la," an unknown place somewhere in the United States. The remainder of the program had a "reducing stunt" in which two contestants were presented with $15 each and a card entitling each to take a special reducing course of 12 lessons at Terry Hunt's Health System on La Cienega in Hollywood. Also featured was a stunt titled "Baby Pig." The pig was presented to a contestant, complete with nursing bottle, diaper, etc. so the contestant could care for it properly.

The February 15, 1947 broadcast originated from the Golden Gate Theater in San Francisco. The voice of "Mrs. Hush" remained unidentified and once again three more prizes were added to the pot to hold over for the next week. These included an electric refrigerator, a vacuum cleaner with accessories, and a week's vacation for two in Sun Valley with air transportation both ways.

The program resumed in Hollywood with the February 22, 1947 broadcast. "Mrs. Hush" was again unidentified and three additional prizes were added: a Brunswick billiard table installed in the winner's home and complete with all sporting accessories needed to play the game; a $1,000 art-carved diamond ring designed by J.R. Wood; and a complete Hart Schaffner Marx wardrobe of clothes for each adult man and woman in the winner's family. There was a guest during the broadcast, Miss Clair Dodson, an Earl Carroll show girl, who assisted Ralph Edwards by entertaining one of the contestants.

Clara Bow
The March 1, 1947 broadcast featured a stunt whereby guest Dick Moorman, a veteran now working and trying to find a place to live in California, dictates a letter to his fiancee back in Long Island, New York… or so he thinks as he dictates that he will send for her so they may be married as soon as he rents an apartment or a house for them to live. Actually, the fiancee, Miss Gloria Minay, was the girl to whom he was giving the dictation. She was aptly disguised by Hollywood makeup artists who made her hair blond and used blue contact lenses to make her brown eyes appear blue. Gloria and her family were flown to Los Angeles and all expenses were paid by the producers of the program. In addition, the couple after their Hollywood marriage would be sent to Chicago where they would enjoy an all-expense-paid honeymoon in a Celotex pre-engineered home built by the Celotex people on Seventh Street next to the Stevens Hotel in Chicago. The trip to Chicago and back would be made on the Superchief and when the couple returned from their honeymoon, they would find a Celotex house waiting to be put up for them wherever they wanted to live -- the house would be just like the one in which they spent their honeymoon. Ralph Edwards told the audience that the house would be furnished with furniture as well. (When the contestant discovered that his fiancee was right on the stage with him, he said, "Oh, Christ!" which did not go over well with the network censors.)

The "Mrs. Hush" voice is once again unidentified and three more gifts were added for next week's program: an Oil-O-Matic burner completely installed with a year's supply of fuel, a Piper Cub airplane, and free maid service for one year. Due to a faulty line connection, at 8:54 p.m., the "Mrs. Hush" portion stopped momentarily and the two words, "has her," was lost over the air.

During the March 8, 1947 broadcast, "Mrs. Hush" was once again unidentified. Three additional prizes were added to the pot: a 144-piece china set, a typewriter, and a complete house-painting job inside and outside with Sherwin Williams paint. 

Finally, on the broadcast of March 15, "Mrs. Hush" was identified. Mrs. William H. McCormick of Lock Haven, Pennsylvania, answered her telephone call from Ralph Edwards and she said "Clara Bow." Mrs. McCormick's winnings, valued at the time between $17,590 and $18,000, included: a 1947 convertible car, an electric washer, round-trip plane ticket for two to New York City with a week and a suite at the Waldorf-Astoria, a $1,000 full-length Silver Fox fur coat, a house-trailer fully equipped for four people, a $1,000 diamond and ruby wrist watch, a home-freeze-unit stocked with frozen foods, a Tappan gas range, a 1947 RCA Victor console radio-phonograph with 100 records, a refrigerator (Electrolux), a full-size home-billiard table with all equipment and installation, a furnace with a year's fuel supply to complete the home-heating unit; a 144-piece china set, free maid service for one year, complete house-painting job inside and out with Sherwin Williams paint, a typewriter, an all-Metal airplane, a week's vacation for two at Sun Valley, Idaho, with transportation both ways, a $1,000 diamond ring, an electric vacuum cleaner with all the attachments and a complete Schaffner Hart Marx wardrobe for every adult member of the immediate family.

Mrs. McCormick said she planned to divide her winnings with her neighbor, Mrs. A.H. Timms, and her sister, Mrs. William Harmon, both of whom helped identify Mrs. Hush. Following the identification, there was a pick-up from Las Vegas, Nevada, for the special guests: Clara Bow (Mrs. Rex Bell), who told about the way she was heard as Mrs. Hush every week, broadcasting from an auto park near her Las Vegas home. With Clara Bow, appearing on the program, was her husband Rex Bell, and her two children, George and Toni Bell, who never knew their mother was Mrs. Hush until this very evening. Clara Bow then told how she kept her identity known from her family, including the nearest neighbor who almost surprised her just when she was starting out to the "Shang-ri-La" where she made her broadcasts. Ralph Edwards told Clara Bow that he was sending her a special award, as a way of saying "thank you." A golden statuette, in behalf of the National Foundation of Infantile Paralysis, was going to be bestowed to Clara Bow as a result of the letters and contributions to the March of Dimes from contestants and radio listeners who sought to identify "Mrs. Hush." An estimated total of $400,000 was raised as a result of the contest. According to a representative of the March of Dimes, this was the largest single radio contribution ever received by the March of Dimes Fund. More than one million letters were sent in by contestants, each with a donation.

During the broadcast of March 22, the guests were Mrs. William McCormick and her husband. Having won the Mrs. Hush contest the week prior, she and her husband were flown to Hollywood for the broadcast. They talked about what they planned to do with the prizes. The McCormick family included three sons (the oldest was 14 and the baby was 18 months). The boys were back home listening to the broadcast. The evening's program featured a take-off called "Mrs. Hush's Mother-In-Law" in which the mothers-in-law of three contestants were hidden in the studio. Each told their in-laws what they thought of them but the in-laws had to identify their respective mother-in-laws. Another stunt featured a girl sent to the corner of Sunset and Vine to organize a Community Sing. She received one dollar for every person who joined her singing group. The program had a pick-up from the corner so listeners could judge the success of the singing group.

Later in the year, starting October 4, Truth or Consequences stopped re-enacting the repeat broadcasts and instead recorded each episode for later playback. This system was dropped in August of 1948 and then reinstated in August of 1949. The program made a quick jump to CBS under sponsorship of Pilip Morris, before returning to NBC for Pet Milk. The radio program expired in 1956.

The "Mrs. Hush" contest also served as a clever marketing ploy to promote the radio program. Numerous periodicals covered the contest, hoping to convince their readers to tune in and try to guess the identity of the mystery woman. Perhaps no other contest on Truth or Consequences gained such momentum until 1948, when the secret identity craze peaked with the "Walking Man" contest, which built to a then-fabulous jackpot of $22,500. That's right, folks had to guess who the mysterious man was simply by the way he walked. That man turned out to be Jack Benny.