Friday, August 24, 2012

Recap: 2012 Mid-Atlantic Nostalgia Convention

Vendor Keith Hurd offers thousands of autographs for sale!
You do not need a printed invitation to attend what is quickly becoming the "destination" convention of the year. (I'm quoting Terry Salomonson, who uses that word loosely, but has attended more than 30 different conventions repeatedly over the past five years to be qualified enough to compare them all.) The seventh annual Mid-Atlantic Nostalgia Convention was a success and while everyone has their own definition of what success is... allow me to demonstrate. Last year's attendance was officially 1,490. This year we topped 2,000. Mary Ethel, Barb Davies and Mary Ann Lowe, all of whom run the front desk, gives one program guide to every paying attendee. No more, no less. By noon on Saturday, Mary Ethel informed me that she gave away the last of the program guides. We had 2,000 printed. This is a simple way of counting heads and a shock to me as we did not expect more than 25 percent growth from the previous year. "What do I do now?" she asked me.

"Simple," I explained. "Just give them a wrist band (similar to an admission badge) and thank them very much for coming. There isn't anything else we can do. Mary Ann Lowe spent the morning stuffing more goody bags with program guides and promotional flyers, and with all of these dried up there was nothing else we could do.

Vendors offer everything including collector cards!
The wrist bands are new this year. Last year it was brought to my attention that cheap skates and gate crashers were in the hotel parking lot hoping to get free admission by asking folks exiting the hotel if they were leaving and whether or not they could hand them their admission badge. With the added security downstairs looking for wrist bands, this seems to be the ultimate solution to a problem that we will continue to face. And guess what? We still had gate crashers who managed to sneak inside without paying. And two of them were former members of convention committees so they above all else know better. Sigh... I guess we do the best we can and hope people are remain honest.

Very rare and expensive comic books.
Over 150 vendor tables offered everything from movie posters, lobby cards, photographs, magazines, vintage books, pulp magazines (originals and reprints), comic books, bobble heads, vhs videos, DVDs, books, vintage toys, old-time radio shows and much more. David Strebe had recently acquired a private collection of Hollywood books and was selling paperbacks at $2 and hardcovers for $3. I must have spent more than $30 on books alone -- including one I kept meaning to buy about the making of Hitchcock's Vertigo.

The enclosed photos will give you an idea of the variety of merchandise available for sale at varied prices. 


Bill Parisho offers DVDs for bargain prices.

Bobble heads for every type of character you want.

Art Harvey brings so many photos you can find what you are looking for.


Rick Payne displays some very impressive items.

If you cannot find it, Art Harvey doesn't have it. Wow!

Juan always has top-notch titles available for sale.

Mike Cregar is like a kid at Christmas when he sees ????

Paperback books for bargain prices!

Author C.J. Henderson displays the latest of Moonstone Books.

Toys Around the Clock from Florida


Toys Around the Clock from Florida



The movie room head count verified the largest attendance in the room to date. The most popular films of the weekend were Laurel and Hardy film shorts, You Bet Your Life blooper reels with Groucho Marx, a film noir movie, The Narrow Margin (1954) and Preston Sturgess' classic, Sullivan's Travels (1942). 

Noralee Frankel offers a fascinating slide show.
The seminars included a variety of topics so everyone was able to find something of amusement. Among the highlights were Noralee Frankel's talk about Gypsy Rose Lee. She authored a great book about the striptease artist, actress and author. Whenever stripper Gypsy Rose Lee encountered public criticism, she spoke frankly in her own defense. “Thousands have seen me at my–ah–best; and thousands have made no objections.” Noralee discussed the fabulous life and career with a slide show presentation with photographs of her as a strip tease artist, Broadway and movie star, author, activist, and talk show host.

“Men aren’t attracted to me by my mind. They’re attracted by what I don’t mind.”
  — Gypsy Rose Lee

A fan poses with Academy Award winner Shirley Jones.
For baseball fans, the Brooklyn Dodgers of the 1950s was magic down memory lane. A slide show presentation discussed the reasons behind the magical love affair between the Dodgers and Brooklyn, the enduring passion for the team decades after it abandoned the borough for Los Angeles in 1958 and how 1960s popular culture cemented the Dodgers’ association with Los Angeles. David Krell, author of the up-coming book, Blue Magic: The Brooklyn Dodgers, Ebbets Field and the Battle for Baseball’s Soul, opened the weekend with his presentation that received rave reviews.

Gordon Shriver of Georgia, author of Boris Karloff: The Man Remembered, presented a well-spoken, well-versed essay on Boris Karloff. With so much attention on Karloff's movie career, it was nice to see someone tackling a different subject altogether: Karloff's television and Broadway career. Gordon did not just cover the New York stage but also regional theater appearances such as Peter Pan and Arsenic and Old Lace, as well as his wide-ranging work in television from the medium’s infancy. Among the highlights of the presentation are rare photos and first-hand, exclusive anecdotes from people who worked with Boris Karloff. For more information about Gord Shriver’s book, visit www.CoverOut.com.

You have to be a true film buff to know of Thomas Ince. Thomas Ince is a name found in every history of silent movies, but sadly has become best remembered not for his life, but his death after a visit to the yacht of William Randolph Hearst.  Film historian Brian Taves authored the first biography of Ince, based on newly-released papers, the fan and trade press, and the surviving films. His book was recently voted “Book of the Month” by Turner Classic Movies and we were honored to have Brian at the convention this year, offering his take on the life and career of Thomas Ince. Ince’s real achievements as producer of 800 films were explored as only Brian could document.

Authors Chuck Harter (left) and Michael J. Hayde (right).
Authors Chuck Harter and Michael J. Hayde have a new book about Harry Langdon that... well, staggers the imagination. It's the size of a phone book and is your one-stop source for everything Harry Langdon. The book premiered at the Mid-Atlantic Nostalgia Convention and thanks to Chuck and Mike, a slide show presentation with brief clips about the silent screen comedian gave us a glimpse of an actor who was also human.

The Metro Washington Old-Time Radio Club had their monthly meeting held at the convention on Saturday. Members of the club who did not live in Maryland and Virginia were able to attend the meeting and witness a demonstration involving sound effects.

People came in costume!
 Friday night was active with the first annual sock hop. A sock hop was an informal sponsored dance at American high schools, typically held in the high school’s own gym or cafeteria. The term sock hop came about because dancers were required to remove their shoes to protect the varnished floor of the gymnasium. These hops were a cultural feature of the 1950s and early rock and roll. The music was usually records, sometimes presented by a disc jockey. Occasionally there were also live bands. (The term record hop is generally synonymous with sock hop.) In subsequent decades, with the widespread popularity of sneakers and other types of indoors-only shoes, the practice of removing shoes was dropped and the term began to be applied more generally to any informal high school dance. Many brought their dancing shoes and fifties costumes and had a chance to relive the good ol’ days of a sock hop with music from 78s and 45s! Free snacks and sodas were available! Later that evening, fans were treated to a 3-D movie of Phantom of the Rue Morgue (1954) which was Warner Bros.' follow-up to House of Wax.

A few of the folks who came in costume!
On Friday evening there was a charity auction to help benefit the St. Jude Children's Hospital. It's comforting to see a lot of support as people brought items to donate for the charity auction. Original Hollywood memorabilia was auctioned off. Glossy photographs from celebrities who mailed us photographs included Jane Fonda, Burt Renyolds, Ann Blyth, Esther Williams, Barbara Eden, Rhonda Fleming and many others. Because of the untimely passing of Celeste Holm this year, the contract she signed for her 2009 appearance at the convention was also auctioned off for a good cause. While we know the auction only lasted an hour and you can only raise so much in a short time frame, we were able to raise $360 more this year than last. Last year we raised $1,200. This year we raised $1,560.

Gotham Radio Players perform for a crowd.
For those who enjoy old-time radio re-creations on stage, MANC attendees were treated to the talents of the Gotham Radio Players who offered us "Death Plays a Tune," a "lost" episode of The Mysterious Traveler. Their performance received a standing ovation. Mary and Don Ramlow offered us two goodies: Tarzan and a virtually unknown 1942 Hopalong Cassidy radio broadcast that no one knew even existed until a script was found this past year. Western fans who thought they heard every Hopalong Cassidy story were given a rare treat, indeed.

Sound effects were performed on the table.

And then there were the celebrities. Shirley Jones was wonderful with the fans, providing them an opportunity to have her photo taken with them (no doubt posted on Facebook by this time) and answering questions about The Music Man, Carousel, Oklahoma!, Elmer Gantry and The Partridge Family. She ran out of photos from The Partridge Family and convention staff did what they could to have more reproduced before the end of the day.

Mel Simons interviews the leading ladies on Thursday.
James Darren takes a moment for interviewer Mark J. Gross.
James Darren and Robert Colbert during the Q&A on stage.

James Darren and Robert Colbert participated in a Q&A session on stage about their careers, most notably The Time Tunnel (1966-67), prior to a slide show presentation about the history of the television program. A new book about The Time Tunnel was just published and premiered at the convention and Darren and Colbert signed a total of more than 300 copies before the weekend was over!

Jay North and Jeanne Russell
Jay North and Jeanne Russell (stars of Dennis the Menace), answered questions for fans who either grew up watching the television series, saw reruns on Nick-At-Nite's TV Land or bought the recent Shout! Factory DVD releases. The beautiful Sherry Jackson talked about her screen career on Make Room for Daddy, her radio appearances in the mid-fifties (including Suspense) and appearances on such TV programs as Star Trek and Batman. Veronica Carlson from numerous Hammer horror movies talked about Peter Cushing, Christopher Lee and Roger Moore. Geri Reischel talked about The Brady Bunch. Ian Petrella talked about his appearance on A Christmas Story. William Sanderson had plenty of photos from Newhart, Deadwood and True Blood. Fans of Newhart wanted to know if he could keep the Darryls straight. Tammy Locke talked about The Monroes

Neal Ellis interviews four of the celebrities on stage.
Ron Ely talked candidly about Tarzan and Doc Savage, after a late arrival. Seems the airport kept making excuses for the flight and the actor was stranded in airports for almost 36 hours. By the time he finally arrived at the hotel, Mr. Ely was unable to set up and sign autographs until Friday morning. Fans were obliging (as was the front desk for people who only paid for a Thursday admission and had to return the next day) as they lined up to get Ron Ely's autograph.

Jay accepting the first annual Jay Hickerson award.
The Guest of Honor this year was Jay Hickerson, founder of the Friends of Old-Time Radio Convention. Besides acting as a convention organizer for 41 years, Jay wrote a book titled The Ultimate History of Network Radio Programming and Guide to All Circulating Shows (1992). Jay issues a supplement every year in addition to the book and every four years revises the entire book with all past supplements incorporated. His contribution to the field has provided more assistance to researchers and ensured the longevity of the hobby that is seemed only fitting that the first annual Jay Hickerson award be given to Jay himself. That's right, starting 2012, the Jay Hickerson Award will be given annually to someone who contributes to the longevity and preservation of the history of nostalgic pop culture.

We already have our sights on the Guest of Honor next year, as well as two confirmed celebrity guests. Four authors of critically-acclaimed books are slated to deliver slide show presentations as well. By December it appears the entire convention will be scheduled and ready for promoting. But you can do something that takes two minutes and ensures you will not miss out on the latest news about next year's event. 

Visit the convention website, www.MidAtlanticNostalgiaConvention.com and sign up for the free newsletter. Even if you don't think you can attend next year, visit the website for many informative articles similar in nature to the blog posts I provide and... get this... hold on to your socks tight... we'll be offering most of the slide show seminars next year and Q&A panels via live video streaming. More details to be provided. So even if you live in Alaska, England, Canada, Hawaii, etc., you can still enjoy the events.

Geri Reischel (The Brady Bunch) poses with U.S. Military.
Abbott and Costello performed on stage after the dinner banquet.
The dinner banquet was a complete sell-out this year.

Jim McQuaig, Neal Ellis and Kathy Meola from Radio Once More.

Ian Petrella greets troops who attended the convention.

Photos Sherry Jackson was signing for her fans.

Mike performed sang and played the guitar at the Sock Hop.

People were just arriving for the 3-D movie.

Neal Ellis interviews Ian Petrella at the microphone.

Celebrities caught on candid camera between signings.

If the crowd gets larger, we'll need more convention staff.

Folks gather around the celebrity tables.
Photos enclosed are courtesy of Bill Guptill, Mark Gross and Gerald Yamin, as well as a number of friendly folks on Facebook. 

Friday, August 17, 2012

HAVE GUN-WILL TRAVEL (Radio, 1960)

Photo courtesy of Les Rayburn.
When actor Dick Beals was asked whether he was more fond of the radio series or the television series, Have Gun-Will Travel, he contemplated for a moment. After all, anyone who watches a number of television episodes has a hard time thinking of who could have played role other than Richard Boone. “John Dehner was tall, distinguished looking somewhat like David Niven, and all business,” remarked Beals. “Now you have to remember that radio drama and on-camera drama are two separate entities. A radio show is fast moving and with the best voice actors in the voice business making it work. Television is slower with many unknowns in the key roles. Boone was a totally different Paladin than Dehner, but Norm was after a ‘voice’ rather than a face. So I definitely favor the radio version of Have Gun.”

The calendar year of 1960 marked the final months of the radio program. The television series would continue until spring of 1963. But before the radio program went off the air, the series would provide a number of intriguing adventures -- including a superb closing chapter in the Paladin saga. Unique casting on the radio program (including the commercials) included Burgess Meredith in “Montana Vendetta” (March 13, 1960), who delivered a public service announcement about hearing loss and the importance of hearing aids, which have recently undergone new breakthroughs. Singer Russell Arms played the role of Dutch Talbot, a wanted man who Paladin seeks to apprehend in “Lina Countryman” (May 15, 1960). Jeanne Bates played the role of his wife, Doss Talbot. “Jeanne Bates was in the first of four Have Gun radio shows I did. She was a high school classmate where we played in several stage shows together. Frank Paris knew this and arranged for her to be on the show and as a surprise for me… and it was!” Arms was also on the Your Hit Parade for six years live from New York on Saturday nights, and later wrote his autobiography for Bear Manor Media.

Russell Arms autobiography
Peggy Webber played the role of Maria Dawson in “Search for Wylie Dawson” (June 12, 1960). Webber was not a frequent cast member on the series. She was married to a doctor in Japan ad stayed overseas for about two and a half years. “That was around the time they were doing the radio version of Have Gun-Will Travel,” she recalled, “and it was only when I would come home on vacation that I would work on those shows… It wasn’t one of my regular shows, but boy -- I remember doing 22 shows a week!”

Hey Boy tagged along with Paladin for an adventure in “So True, Mr. Barnum” (April 10, 1960), one of the better episodes of the series. The week prior, in “Shanghai is a Verb” (April 3, 1960), Hey Boy was kidnapped and Paladin had to go out and rescue him. In “Prunella’s Fella” (April 17, 1960), Paladin found himself the victim of a shotgun wedding. At the close of “Dressed to Kill” (May 1, 1960), John Dehner stood before the microphone, out of character, to deliver a short talk about the current and forth-coming summit meetings and radio free Europe. His speech was a crusade for freedom donations. In “Way for the Delta Queen” (July 24, 1960), Vic Perrin played the role of Samuel Clemens, a.k.a. Mark Twain. Two weeks later, the radio program featured a two-part adventure, “Viva” (August 7, 1960) and “Extended Viva (August 14, 1960). To ensure characters in both episodes were played by the same actors, both episodes were recorded on the same day, June 25. During the closing of “Nellie Watson’s Boy” (September 18, 1960), John Dehner, speaking for the cast and management of Have Gun, gave a sincere congratulations to KNX in Los Angeles. The station celebrated their 40th Anniversary that week. Actor Jack Moyles is credited for writing “Oil” (October 30, 1960), but soundman Tom Hanley wrote the script. Moyles provided the story idea and Hanley provided the typewriter.

Have Gun-Will Travel is still protected by copyright. The above photo (Radio Spirits) is an example of a licensed product of the radio program. Most CD and mp3 releases sold on the internet are not legal, so don't be fooled by the attractive packaging.

The final episode of the series, “From Here to Boston” (November 27, 1960), is regarded by fans of Have Gun-Will Travel as a landmark in the series. Paladin receives a fat envelope from attorneys in Boston, alerting him of the recent death of his Aunt Grace. Paladin has inherited $100,000 and must travel East to collect. Meanwhile, the gunman is unaware that his latest romantic fling, Louvenia Todd Hunter, was responsible for the death of his Aunt and plans with Myles Todd Hunter, to murder Paladin and make it look like an accident. They stand to gain the inheritance after Paladin is found dead. Outsmarting the woman, a struggle occurs with a gun and Myles is shot by accident. The episode closes with Hey Boy riding to Oregon with Paladin, so he can board the East Bound stage. Hey Boy asks when the man in black will return. “At least until I can settle my Aunt’s estate,” he explains. “Who knows? I might take a liking there and decide to settle down personally.” Paladin suggest a future marriage for Hey Boy and Missy Wong, asking to be notified in advance so he can return for the wedding. Instead of riding horseback into the sunset (West), he board a train into the sunrise (East).

A conclusion to the Paladin saga was never dramatized on television, but it did feature an origin -- something the radio series did not touch upon. Sam Rolfe scripted “Genesis,” an episode heavily-laden with mythology and a general purpose for Paladin’s motives as a bounty hunter.

The radio program, however, faded away with no notoriety in the trade columns. “There was no feedback, really,” recalled John Dehner. “And there would have been no way of our getting feedback really, in terms of fan letters and audio response. It dwindled away to nothing -- like a dead leaf in the wind. And that was it. We as actor, were aghast at the brutality of the networks. I don’t want to sound too dramatic about this, but after all, it was an industry and an important industry and a very big industry. But all of a sudden the powers that were in charge of the industry just said ‘The hell with it. We don’t need you. Good-bye and go home.’ And they closed the doors and it was that fast. It was a shock to all of us.”

“I guess I didn’t think much about it, but that happened a lot,” Lillian Buyeff added. “We wouldn’t be told in advance that this was going to be the last show or anything. I guess in the back of my mind I was always thinking, ‘Oh, this new-fangled thing called television. Maybe it will just dry up and go away. But it didn’t. We loved radio and it was a great medium and wonderful because -- how should I put it -- as a woman I could still be married and have a family and kind of a normal life because I knew what time I had to be at the studio and what time I would come home. In film, you don’t have that. You don’t really know how long you’re going to be gone. Also, the people in radio were very special. The people themselves were just warm and kind and good and we all liked each other a lot. Definitely one of the best moments of my life.”

“The only show that struggled on was Gunsmoke,” Larry Dobkin concluded, “but otherwise, that was early in the years of labor relations and the actors were employees and so were the engineers. The crew were of course, contract employees, and they went from one newscast to a comedy to a drama, with a total disregard of continuity of employment -- or continuity of showcase. The actors were different. They were just day players, and there was no notice given. When I was replaced as the voice of Ellery Queen, nobody gave me any notice. They just told me not to come back next week. They never told me why. I had done it for two years. I think I was the ninth or tenth Ellery Queen.”

After Have Gun folded on radio, Frank Paris joined Macdonnell as associate producer on television’s Gunsmoke. He remained in that capacity until Macdonnell left the show. “Frank Paris was the assistant producer. If Norman was quiet, Frank was quieter,” recalled actor Larry Dobkin. “Frank defined quiet for Norman. He was about my height, 5 feet 10 inches, oval faced, rimless glasses or wire-rimmed glasses, clean shaven, brown hair cut short, he had a pleasant manner. I think the additive would be divident.”

RECOMMENDED EPISODES 
If you don’t have time to listen to all 106 radio broadcasts, the following are recommended.

Shameless pitch: The information below is reprinted from my book, The Have Gun-Will Travel Companion, published in 2000 by OTR Publishing, LLC. For a complete list of all 106 episodes (including plots and trivia, visit www.MartinGrams.com

Episode #27  “IN AN EVIL TIME”  Broadcast May 24, 1960
Recording Date:
April 25, 1959, 6:30 p.m. to 7:00 p.m.
Cast: Harry Bartell (Morley and Malone); and Joseph Kearns (Pappy French).
Producer/Director: Norman Macdonnell
Story origin: Based on the teleplay of the same name by Shimon Wincelberg, originally telecast June 14, 1958.
Script writer: Frank Paris
Commercials: Pepsi-Cola, Longine Watches and Mutual of Omaha Insurance
Opening narration: As birds are caught in a snare, so are the sons of man snared… in an evil time.

Episode #36  “THE WAGER”  Broadcast July 26, 1959
Recording Date:
May 30, 1959, 6:30 p.m. to 7:00 p.m.
Cast: Lynn Allen (Stacy Neal), Lawrence Dobkin (Sid Morgan); Victor Perrin (Shawcross); Barney Phillips (Howard Gorman); and Ben Wright (the clerk).
Producer/Director: Norman Macdonnell
Story origin: Based on the teleplay of the same name by Denis and Terry Saunders, originally telecast January 3, 1959.
Script writer: Ann Doud
Commercials: Columbia Phonographs, Winston Cigarettes, K-Side Smooth Sealer and General Motors
Opening narration: You forced me to wager my life against a thousand dollars. Now you can wager your life against thirty miles of desert, with a companion who hates you and half a canteen of water.

Episode #47  “STOPOVER IN TOMBSTONE”  Broadcast October 11, 1959
Recording Date:
September 5, 1959, 6:30 p.m. to 7:00 p.m.
Cast: Harry Bartell (Whitie Harold); Joseph Cranston (Jim Aikens); Betty Garde (Rosie Doogan); and Bartlett Robinson (Sheriff Clay Corbett).
Producer/Director: Frank Paris
Script writer: Ann Doud
Commercials: Fitch Shampoo, Ex-Lax, Swiss Watches and Camel Cigarettes
Opening narration: If you give yourself up, I’ll see that you get a fair trial. If you don’t, I’ll be forced to use this gun and you’ll be a long, time dead.

Episode #49  “WHEN IN ROME”  Broadcast October 25, 1959
Recording Date:
September 19, 1959, 6:30 p.m. to 7:00 p.m.
Cast: Harry Bartell (Sheriff Miller and the stagecoach driver); Ralph Moody (Mr. Charlie Temple); Barney Phillips (Mr. Brailey); Olan Soule (The Professor); Lurene Tuttle (Mrs. Dora Temple); and Ben Wright (the doctor).
Producer/Director: Frank Paris
Script writer: Frank Paris
Commercials: Fitch Shampoo, Ex-Lax and Camel Cigarettes
Opening narration: If you kill me because of a mistake I made, it won’t save your husband’s life.

Episode #65  “THE DOLLHOUSE IN DIAMOND SPRINGS”  
Broadcast February 14, 1960
Recording Date:
January 9, 1960, 6:30 p.m. to 7:00 p.m.
Cast: Harry Bartell (Wake Lockton); Betty Harford (Lydia Lockton) and Clayton Post (the stage driver).
Producer/Director: Frank Paris
Script writer: Frank Paris
Commercials: Fitch Shampoo, Ex-Lax, Fritos Corn Chips, Dristan Cold Tablets and Camel Cigarettes
Opening narration: It’s always good to meet up with an old friend. But I didn’t know when we renewed this friendship that it would lead to your destruction.

Episode #73  “SO TRUE, MR. BARNUM”  Broadcast April 10, 1960
Recording Date:
March 12, 1960, 1:30 p.m. to 2:00 p.m.
Cast: Lawrence Dobkin (Professor Burdick); Sam Edwards (Bill Sweeney); and Barney Phillips (Louis).
Producer/Director: Frank Paris
Script writer: Ann Doud
Commercials: Winston Cigarettes, U.S. Census and Doan’s Pills
Opening narration: All right, Hey Boy. I’ll take you out there. You can dig for your treasure, you can dig up the whole desert. But let me tell you something. You won’t find a thing.

Episode #83  “THE TOO, TOO SOLID TOWN”  
Broadcast June 19, 1960
Recording Date: May 28, 1960, 1:30 p.m. to 2:00 p.m.
Cast: Joseph Kearns (Tod Clum); Vic Perrin (Billy Bedlow) and Barney Phillips (the voice).
Producer/Director: Frank Paris
Script writer: Ann Doud
Commercials: French’s sauce, Pepsi-Cola, Camel Cigarettes and General Motors.
Opening narration: Why not re-open the case? It won’t give you back the five years you’ve lost, but it might give you back the most important thing in your life.

Episode #106  “FROM HERE TO BOSTON”  Broadcast November 27, 1960
Recording Date:
November 19, 1960, 6:30 p.m. to 7:00 p.m.
Cast: Lynn Allen (Louvenia Todd Hunter); John James (the conductor); Vic Perrin (Myles Todd Hunter); and Bartlett Robinson (the waiter and the driver).
Producer/Director: Frank Paris
Script writer: Frank Paris
Commercials: Philip Morris Cigarettes
Opening narration: Whenever I’m hired for a job, I can always expect the worst. Little did I know that this time, it would mean leaving my dearest friends.

This is the third and final write-up of a three-part feature about the radio program, Have Gun-Will Travel.
Click here to read Part Two.

Friday, August 10, 2012

The Green Hornet: The Lost Radio Adventures

Fran Striker wrote in a number of inside jokes throughout The Green Hornet radio program, with characters on rare occasion making reference to The Lone Ranger. One of these jokes can also be credited as the most important and influential factor in the expansion of The Lone Ranger and The Green Hornet.

During the broadcast of January 13, 1938, The Green Hornet pays a late-night visit to the house of Judge Woodbury, known for being strict in his courtroom and in need of a little push to set a trap and expose a crooked attorney. The Green Hornet climbs through the window of the judge’s bedroom. As the announcer describes ...


ANNOUNCER: The slick black car of The Green Hornet with its super-powered motor was parked in the drive of Judge Woodbury’s home a few minutes later. The Judge was listening to The Lone Ranger, one of his favorite radio programs, half dozing in his chair.

To accomplish this trick, Striker’s notes on the script suggested playing back a recording of The Lone Ranger. But to date, Trendle had never recorded any of the Ranger broadcasts. The series had always been broadcast live on a coast-to-coast hookup. So the Ranger broadcast of December 17, 1937, was recorded solely for the purpose of this Green Hornet scene and was the spark that launched Trendle into the transcription business, leading to a transcription of every episode of The Lone Ranger beginning with the broadcast of January 17, 1938.  

The earliest announcement came on Monday, January 10, 1938, when King-Trendle released a public statement that The Lone Ranger was riding cross country and not just the western plains. Coincident with the Republic Pictures movie serial in February, King-Trendle announced it would market transcriptions of the radio series for February 1 assignments. The strong growth of the series since it premiered four years previous showed promise and broke all records for mail response for WXYZ. Then heard over 27 stations, Trendle wanted to expand his empire with transcription discs and began advertising the series, claiming the discs would be available for broadcast starting February 15. Sales were certainly impressive and profitable, leading to Trendle’s second transcribed series, Ann Worth, Housewife

Advertisement for renting transcription discs.
By August 1938, King-Trendle Broadcasting was still feeding The Green Hornet live to Mutual stations and it was not transcribed. A business meeting in July 1938 discussed the possibility of expansion. Sponsor interest was growing in various sections of the country, giving them guide to how many transcriptions would need to be produced to meet the demand. On August 16, Richard O. Lewis, general manager of KTAR in Phoenix, Arizona, wrote to WXYZ. The station was featuring The Lone Ranger and Lewis wanted pricing information about The Green Hornet, as well as a sample transcription. Lewis asked that the material be sent to J.R. Heath, KTAR’s commercial manager. Charles Hicks sent a case history of The Green Hornet program, which featured a brief background of the premise, the characters, statistics in ratings, reviews from nationwide periodicals and the success of the Detroit and Ebling creameries as sponsors. Hicks also said the cost for an audition transcription was $10, which would be refunded if the recording were returned in good condition or if the station contracted for The Green Hornet.

At least three transcriptions were made during the month of May 1938, possibly copied for stations out of range of network outlets carrying it live which expressed an interest in reviewing the show. J.R. Heath wrote to Hicks on September 6, requesting the audition record so that “after auditioning the show we will then be in a position to advise you as to the account’s interest.” Hicks replied with hesitation, stating: “Before we send the audition recording in accordance with your request, it might be proper for you to consider this one angle. The date of producing Green Hornet transcriptions for a nationwide market is still to be decided upon and how soon it will be known is dependent upon just such requests as yours. The more requests we receive the better we will be able to judge the importance of an earlier date than what has been planned. Therefore, at the present time the indefiniteness of the production date may cause you a problem if your client became interested as a result of hearing the audition recording and ordered the program to start earlier than what it could be made available in transcription form.”

KTAR was not the only station to submit an inquiry. On August 18, Dale Robertson, general manager of WBAX in Wilkes-Barre, Pennsylvania, asked for sales materials regarding The Green Hornet. In late September, Fred A. Palmer of KOY, another Phoenix station, submitted a similar request. In early January 1939, James M. Kennedy of WBAL in Baltimore requested via telegram a sample Green Hornet transcription. By the fall of 1938, Trendle decided to expand The Green Hornet via transcriptions in the same manner as the masked rider of the plains. Through special arrangement with NBC’s Chicago office, Trendle agreed to foot the bill for the series to be transcribed to disc. While transportation charges on test pressings for 18 of the first 24 broadcasts cost Trendle $3.55, the cost to have each episode transcribed was much more — $90 per program. By August 1938, Striker had begun assigning a title for each of the radio scripts. Prior episodes had no title assigned by Striker, Trendle, or any member of the production crew. Beginning with the broadcast of April 6, 1939, every episode of The Green Hornet was recorded and King-Trendle was already making preparations for the series to be available to local station managers. 

Green Hornet transcription discs at Audio Archives.
The transcription of the May 26, 1938 broadcast was assigned the title of “Frame Up That Misfired” and transcription No. 1. The transcription of the May 24, 1938 broadcast was assigned the title of “There Was A Crooked Man” and transcription No. 2. For the remainder of the transcription discs offered to radio stations, the April 6, 1939 broadcast began as transcription No. 3. (None of the other May 1938 transcriptions were included with the discs when the series was syndicated across the country, including the broadcast of May 5, 1938, which today circulates among collector hands.) 

Transcriptions may have been costly, but The Green Hornet, Inc. saw a much larger profit when it rented the discs to various stations at various prices, which more than made up for the investment. The cost for each station was adjusted according to station size and number of listeners. A smaller station in the Midwest paid much less for renting the discs than a larger station in the East. In anticipation of using artwork and photographs of the title character in advertisements, Al Hodge signed a release granting use of his likeness in photos and images for promotional purposes on November 18, 1938. This was primarily to please the executives at NBC, who wanted to cover all the bases. Other cast members appeared in similar photographs and it can be assumed they, too, signed similar releases.

With the advent of transcription discs, Fran Striker had to exercise extra caution, avoiding any specific reference to prior Hornet adventures unless it was absolutely necessary. Episodes such as the broadcast of September 9, 1937, had Kato returning from vacation and Fawcett, the special investigator from the State Attorney office, mentioning the drug ring smashed a few weeks ago and “the blackmail ring last week.”

Striker had written a number of two-part and three-part stories, with each episode featuring a resolution for that particular broadcast, but generally, he maintained single-adventure plots for the series. A press release with a brief plot summary which could be used as a local newspaper promotional piece accompanied the transcription discs. Reprinted below are a few of those summaries. 

(“The Trapped Witness,” originally broadcast February 26, 1940)
Transcription No. 422-B9
A murder in a Chinese restaurant prompts Britt Reid, youthful publisher, to assume the role of the Hornet to unearth a cigar store racket and discover the slayer.

(“The Tricky Tankers,” originally broadcast February 28, 1940)
Transcription No. 423-B10
When a high pressure promoter goes into the gasoline business to undersell his competitors, Britt Reid, crusading young publisher, assumes the role of The Green Hornet to expose a plot to swindle thousands of motorists. 

(“Income From Immigrants,” originally broadcast March 4, 1940)
Transcription No. 424-B11
Reid dons the mask of the Hornet to uncover a scheme whereby racketeers provide “doubles” to take final citizenship examinations for foreigners, and then blackmail them later.

© The Green Hornet, Inc. Reprinted with permission.
The transcription discs contained a second series of numbers with the letter “B” before the number as a procedure ordered by Charles Hicks to straighten the numbering system. As of April 1, 1940, it became apparent that The Green Hornet synopses provided to NBC-Blue did not help with keeping the recordings consistent, because the network was using different program numbers than what the sheets revealed.

Another problem was that someone in the recording department was putting a Hornet seal over the program numbers. The stations had to listen to the programs in order to find out which episode number it was. This was specifically an issue with KTAR in Phoenix, which decided not to bother with verifying the sequential numbers and chose to broadcast the episodes out of sequence.

On the evening of Thursday, August 25, 1944, a number of radio listeners expressed curiosity when WMAQ in Chicago started in at 10:30 with a fascinating, but unscheduled, episode of The Green Hornet, ran it for nine minutes, then switched into Everything for the Boys, normally heard at that time. An announcer explained briefly that it had all been a mistake. The boys at WMAQ recorded both programs earlier in the evening as network features, at which time they were recorded as transcriptions for broadcast at a later time. Apparently an employee typed out labels for both transcriptions, then put the Hornet label on the Everything for the Boys record, and vice versa. The Green Hornet boiled merrily till 10:39 until it was verified that the traffic department hadn’t scheduled a last minute change. Then the announcer broke in while the engineer put on the right record, measuring off approximately nine minutes from the beginning so Everything for the Boys would end at the proper time. 

The system was not foolproof, causing confusion not just with the station operators, but with the listeners as well. KFMB in San Diego, California, part of the Worchester Broadcasting Corporation, paid Trendle $28 for each episode played over their network. On March 5, 12, 19 and 26, 1945, episodes 688 through 691 were played in sequence. For the broadcast of April 2, however, an error occurred. Half of each episode was featured on one side of two separate discs. When the first half of an episode concluded on one disc, the second half picked up almost instantly from the other disc. The opposite side of those two discs featured the two halves of the next episode. Due to an error in labeling before the transcriptions were received by KFMB, the network broadcast the first part of episode No. 692 titled “Load of Cigarettes,” and the second part of No. 693 titled “The Bigger They Are.” The mistake was not caught until the recording was being played over the air, and the network began receiving phone calls from listeners asking for an explanation. KFMB could not charge its sponsor for the broadcast because of the error, and the network applied for a credit with King-Trendle to compensate for the mistake. (On April 9, the network continued with the next sequential episode, No. 694.) KFMB’s request for a credit was approved by Trendle, but not until eight months later because he insisted the source of the error had to be verified first. 

© The Green Hornet, Inc. Reprinted with permission.

With this explained, radio broadcasts pre-May 1938 of The Green Hornet do not exist in recorded form. They simply were not recorded. What follows is a list of 15 "lost" episodes with plot summaries.

Episode #126 [NO TITLE LISTED] 
Broadcast on Thursday, April 22, 1937
Copyright Registration D-2-#49456, copyrighted under The Green Hornet, Inc.

Plot: Britt Reid, through various connections, has learned much of the plans of Hymie Lobell, a racketeer and smuggler of illegal aliens who worked with Big Batten, another gangster. When the Feds crack down, the criminals push the human cargo overboard with heavy chains, drowning men, women and children. The Green Hornet creates a set-up that allows the latest shipment of immigrants along the Jersey coast to be armed, thus preventing them from being drowned. Using his private plane, Reid witnesses the transaction and phones the Coast Guard via wireless, which rushes to the scene to find the criminals red-handed with cargo they cannot dispose of. 

Episode #127 [NO TITLE LISTED] 
Broadcast on Tuesday, April 27, 1937
Copyright Registration D-2-#49613, copyrighted under The Green Hornet, Inc.

Plot: Laundry owner Boswell attempts to defy a protection racket, only to have his store bombed. The Green Hornet pays a late night visit to Boswell to ask him to help in a ruse that might overthrow the racketeers. Boswell gives the masked man the benefit of a doubt and agrees to hide out and allow people to believe that he was killed when the bomb was thrown from a car. Inspector Beasley investigates the disappearance, and Reid discovers Beasley is a crooked cop who schemes for two gunmen to eliminate Boswell — if they can find him. The Green Hornet forces Beasley to remain in the same room intended for the next bombing. Unable to escape, the crooked cop confesses, unaware that police are listening.

Episode #128 [NO TITLE LISTED] 
Broadcast on Thursday, April 29, 1937
Copyright Registration D-2-#49614, copyrighted under King-Trendle.

Plot: Jonothan Adsit’s body is found in the river and Mike Axford follows a lead involving two crooks who were responsible. Britt Reid, however, investigates the motive behind the crime. Kato finds the ferry on which Adsit was murdered and a suitcase containing vital papers owned by Adsit. After learning the crooks are being released for lack of evidence, Reid sends a letter to one of them, offering to sell him the contents. Tailing the crooks to Lawrence Sprague, Adsit’s nephew, the truth becomes known — a crooked $2 million deal involving the purchase of swamp land to be made into beaches, a project that never would have worked, according to Adsit’s figures. But Sprague didn’t intend on spending the money for the project. Sprague murdered his uncle so the deal could go through and he could profit from the wasted public money. The Green Hornet gasses one of the crooks unconscious and punches the other to the ground so police will find their job easier when they arrive.

Trivia: The spelling of Jonothan is taken directly from the script. That is not a mis-spelling.

Episode #129 [NO TITLE LISTED, PART ONE OF TWO]
Broadcast on Tuesday, May 4, 1937
Copyright Registration D-2-#49736, copyrighted under The Green Hornet, Inc.

Plot: Britt Reid organizes a stock racket-smashing campaign when he learns that Axford and his friends have been duped into buying worthless gold mines. The editorial makes front page headlines, forcing Jason Larriby and his colleague in crime, White, off the streets. In an act of vengeance, Larriby makes arrangements for Reid to be kidnapped, but his goons pick up Kato instead and take him to a secluded boat. Meanwhile, The Green Hornet creates a clever scenario, making the con artists believe the stock is actually valuable and forcing them to buy back the stock from their victims — and on a number of occasions, paying more than they sold it for. When The Green Hornet visits, he laughs as the truth is revealed. Ordering the men to leave town, The Green Hornet fixes a Hornet seal to the fake telegram as a memento for the crooks. Only later that evening, pre-occupied with the thought of Kato’s disappearance, does Reid realize he accidentally left his fingerprint on the Hornet seal.

Episode #130 [NO TITLE LISTED, PART ONE OF TWO]
Broadcast on Thursday, May 6, 1937
Copyright Registration D-2-#49737, copyrighted under The Green Hornet, Inc.

Plot: Two weeks after the kidnapping of Kato, police still scour the nation in search off the missing Oriental. Larriby and White, in the meantime, operate a crooked appliance racket, forcing people to pay installments on appliances that break soon after the owners take possession. Larriby sends a $100,000 ransom note to Britt Reid and signs it with the seal of The Green Hornet. This tips Reid as to who is responsible for the kidnapping. While police are busy seeking The Green Hornet, Reid gets the ransom money ready. Through a clever ruse, he allows the police to trail the cash to Larriby and White, and he discovers the whereabouts of
the Japanese valet. Kato is rescued and rushed to the hospital.

Episode #131 [NO TITLE LISTED] 
Broadcast on Tuesday, May 11, 1937
Copyright Registration D-2-#49809, copyrighted under The Green Hornet, Inc.

Plot: Britt Reid spent more than 30 hours waiting for the call that a tramp steamer was located so he could join the law in the rescue of Kato. The operation was a success, but Kato had taken a severe beating from the crooks. While Kato recovers from his wounds in the hospital, Ed Lowry follows a lead on a gangster who needs an operation but won’t have it, afraid that under anesthesia he’ll talk too much. The trail leads to C. Archibald Mercedes, a wealthy man, once the target of Uncle Sam over back income taxes. The Green Hornet pays Mercedes a late-night visit, moments before a secret one from a professional counterfeiter working for the mob. He discovers Mercedes was unloading hidden gold for cash, since the government went off the gold standard. Thanks to The Hornet, the men are gassed unconscious so police can uncover the scheme and assist the Feds in their recent investigation of a counterfeiting racket.

Episode #132 [NO TITLE LISTED] 
Broadcast on Thursday, May 13, 1937
Copyright Registration D-2-#49810, copyrighted under The Green Hornet, Inc.

Plot: Millionaire Adolph Vickers is found murdered in his luxurious home office. Margory Dryden and her father, Harry Dryden, of the meat packer Dryden family, separately confess to the crime, but when the police discover the time of the murder, they rule out both Drydens. Reid soon learns that Vickers made his living blackmailing millionaires, and Dryden was among the victims. The Green Hornet temporarily accepts the murder rap in order to lure the real killers to Dryden’s residence, where evidence planted by Reid leads Rollins and his goon to suspect Dryden is The Green Hornet. When the men attempt to blackmail the millionaire, they discover they are not alone in the house. The Green Hornet gasses the crooks unconscious and orders Dryden to phone the police.

Trivia, etc. Kato is not heard in this episode, but Reid pays him a visit at the hospital. The script calls for Kato’s few lines to be “whispered unintelligibly” since the actor is still on vacation.

Episode #133 [NO TITLE LISTED] 
Broadcast on Tuesday, May 18, 1937
Copyright Registration D-2-#50087, copyrighted under The Green Hornet, Inc.

Plot: The police plan an elaborate scheme to infiltrate the biggest blackmail ring operated by the syndicate, headed by Harvey Riggs. The plan includes a policeman infiltrating the operation, but Riggs is too smart for that. The police, believing they know the whereabouts of the books and records Riggs keeps, intend to raid the nightclub. Riggs, however, gave the wrong information and knows the police will have an embarrassing time explaining their mistake. The Green Hornet tricks Riggs into believing the police are not duped and discovers the real whereabouts of the valuable papers. After gassing Riggs and his gun moll unconscious, The Green Hornet steals the papers and leaves. Angry, Riggs sets out to murder the undercover police officer. Mike Axford and Britt Reid inadvertently foil the murder with Axford’s quick draw of a gun, and the crooks are arrested and jailed. The papers, enough evidence to send Riggs and his whole gang to prison, are delivered to police via special delivery the next morning.

Episode #134 [NO TITLE LISTED] 
Broadcast on Thursday, May 20, 1937
Copyright Registration D-2-#50088, copyrighted under The Green Hornet, Inc.

Plot: A revolutionary leader in a small Central American republic known as San Sabino is paying for guns and ammunition to be shipped to him. The receivers of the cash are in the The Green Hornet’s city, and Britt Reid stumbles on the scheme when Miss Case accidentally receives the wrong mail from a classified ad in the newspaper. The mail was returned to the post office, and Kato trailed the woman who picked up the correct mail to learn the location of the gun runners. The Green Hornet fools the crooks into believing the female has double-crossed them, including stealing the money. Realizing the police are safer to deal with than members of
her gang, she agrees to confess; The Green Hornet drops her off at the police station.

Episode #135 [NO TITLE LISTED] 
Broadcast Tuesday, May 25, 1937
Copyright Registration D-2-#50089, copyrighted under The Green Hornet, Inc.

Plot: When Mike Axford finds himself chasing down a stolen car while riding on patrol, he discovers his own vehicle is the stolen property. The youngster hired to steal the car leads police to the joint where hot cars are fixed up with new paint jobs and registration numbers. A raid reveals nothing. When the kid gets bailed out by an expensive mouthpiece and a man named Dornigan is killed when trying to get out of the racket, The Green Hornet visits the high-priced lawyer named Mercer. Convincing Mercer that he was hired by Pritchard, the head of the stolen auto racket, to eliminate the attorney, he finds Mercer willing to take him to a hidden section of the garage that police are unaware of. At the point of his gas gun, The Green Hornet forces Pritchard to empty his safe of cash and when the police arrive, courtesy of Kato’s tip, the masked man makes a quick getaway, while revealing the workshop in the garage. Back home, Reid hands the money to Kato and asks that it go to the mother and widow of Dornigan.

Episode #136 [NO TITLE LISTED] 
Broadcast on Thursday, May 27, 1937
Copyright Registration D-2-#50090, copyrighted under The Green Hornet, Inc.

Plot: Aaron Bostwick is a lieutenant in a shrewd loan shark operation in which his clients are forced to pay only the interest, but never the principal. When Jack Forbes, one of his clients, decides to inform the law, he is beaten up and urged to remain silent for the sake of his wife and child. Seeking the big boss behind the crooked practice, The Green Hornet has Kato tap the phone lines so they can hear the conversations. After rigging an envelope in the mail so the police will receive a tip-off, Reid orders Forbes’ name to appear in the papers so the man will be used as bait. The masked man visits Forbes to save him from a murder, forcing Bostwick to leave the premises under the guise of Forbes. Bostwick pleads for his life, but the shooting is a near-miss and the police arrive to take control of the situation — even tracking the letter signed by the Hornet to the post office box and leading to the big boss himself, smashing the racket.

Episode #137 [NO TITLE LISTED] 
Broadcast on Tuesday, June 1, 1937
Copyright Registration D-2-#50256, copyrighted under The Green Hornet, Inc.

Plot: Arnold Metcalf and wife Mona operate a matrimonial agency in which their classified ads attract gullible singles into sending money for transportation so the mail-order bride can visit them. When a man named Massey arrives from Oklahoma, threatening action because The Daily Sentinel allowed the ad to continue, Britt Reid sets out as The Green Hornet to smash the racket. The Feds are closing in, but The Green Hornet visits late-night at the Metcalf’s, gasses Massey unconscious and steals the papers the out-of-state visitor had that would send them to prison. The Green Hornet threatens to give the papers to the Feds unless Metcalf sends refunds to all he cheated. Metcalf agrees. While the masked man is accused of being involved, Reid tells Kato to make sure the papers are mailed to federal authorities as soon as it is verified Metcalf’s checks have cleared the bank.

Trivia, etc. It is revealed in this episode that Miss Case has a male cousin named Jack.

Episode #138 [NO TITLE LISTED] 
Broadcast Thursday, June 3, 1937
Copyright Registration D-2-#50257, copyrighted under The Green Hornet, Inc.

Plot: Colonel Brookfield and his wife are fakes, attempting to borrow cash from the wealthy and having left Montreal some time ago for not being able to pay back the loans. With the help of a professional engraver, Brookfield arranged for fake bonds to be printed and now uses them as collateral for more loans, intending to sail for parts unknown after the cash is delivered. The Green Hornet shows up and steals some of the bonds, and Brookfield phones the police to claim the masked man tried to sell him fake bonds. Overhearing the story outside a window, The Green Hornet returns and threatens Brookfield in front of the inspectors — claiming the bonds he stole were fake and the murder of the engraver last night was part of Brookfield’s doing. The masked man escapes and the inspectors take Brookfield and his wife in to investigate further.

Episode #139 [NO TITLE LISTED] 
Broadcast on Tuesday, June 8, 1937
Copyright Registration D-2-#50356, copyrighted under The Green Hornet, Inc.

Plot: Big-time racketeer Fletcher tries to push a monopoly through the board of aldermen. The scheme will profit at least $1 million, because the Blake ordinance would require all landlords to put the Fletcher patented number plate on their property. The special plate is designed to light at night, and Fletcher knows the bulbs are inferior, guaranteeing a larger profit when people are forced to buy replacements. Britt Reid finds out about the situation, Kato taps Blake and Fletcher’s phone to keep informed and discover Alderman Rollin is also involved. The Green Hornet maneuvers events, including gassing Rollins and planting a check signed by Fletcher for $2,000 so that police get him for bribery. News reporters will break the story, so the proposed law will not pass.

Episode #140 [NO TITLE LISTED] 
Broadcast on Thursday, June 10, 1937
Copyright Registration D-2-#50357, copyrighted under The Green Hornet, Inc.

Plot: Britt Reid pulls strings to have Muggs released from jail so the little fellow with underworld contacts can seek information about the death of John Edwards, a prominent banker. Britt dates the banker’s daughter the night before and returned to find her father dead, and Reid suspects it was murder. The trail leads to Morrie Clarke, a former bank examiner. Kato taps his phone and learns from Clarke’s nervous call the identity of the murderer and the motive. After gassing five bank examiners unconscious, The Green Hornet flees the scene so when the police arrive, one of the men wakes from his slumber to explain how Clarke knew that after a suicide an audit is required. So Clark arranged for fake bank examiners to perform an audit, but also quietly alter the books in order to steal money from the bank.

The information contained in this article contains excerpts from The Green Hornet: A History of Radio, Motion Pictures, Comics and Television, by Martin Grams Jr. and Terry Salomonson. The book was published in 2009 by OTR Publishing and is the official 800 page guide to all things involving The Green Hornet, Kato and the Black Beauty.

For more information about this book, please visit www.MartinGrams.com.

Friday, August 3, 2012

James Rosin, Actor and Author

One of Jim's books.
As an actor, James Rosin appeared on numerous television programs including Love, American Style, Banacek, Cannon, Adam-12, Mannix, T.J. Hooker, Quincy M.E. and many others. Rosin is known to science-fiction fans as John Ya Ya in the 1984 movie, The Adventures of Buckaroo Banzai Across the 8th Dimension. Rosin can be seen in Eraser (1996), Sleepers (1998) and can be seen in other movies. A frequent guest at the Mid-Atlantic Nostalgia Convention, he recently authored a number of books about classic television programs, including Wagon Train, which has been receiving DVD releases and reruns on the Encore Westerns Channel. For anyone who is not familiar with the talented Jim Rosin, I wanted to introduce you to him.  Enclosed is my brief interview with Jim.

You were an actor for many years. What was your first book and how did you get started writing?
My first two books were about music. The first entitled Rock, Rhythm and Blues and was all about the rock ‘n’ roll and R&B era of the 1950s through the early 1960s. It focused on all of the nationally-known recording artists from Philadelphia. It also covered American Bandstand that originated in West Philly. I followed that with Philadelphia: City of Music, which covered the R&B years in the city of brotherly love featuring the “Sound of Philadelphia,” created by people like Kenny Gamble, Leon Huff, Tom Bell and Linda Creed. I was able to interview many of the popular musical artists that I grew up with focusing on Charlie Gracie, The Comets, James Darren, Lee Andrews, Danny and the Juniors, Frankie Avalon, Fabian, Bobby Rydell, Chubby Checker, The Orlons, The Dovells, and The Tymes; followed by Harold Melvin and the Bluenotes, The Intruders, The Soul Survivors, Eddie Holman, The Delfonics, The Stylistics, Patty LaBelle, Bunny Sigler, The Three Degrees and The Trammps. I always loved music and all these recording artists were from my hometown and very familiar. That motivated me to write about the rich, musical history of Philadelphia.

What made you decide to write books about classic TV series?
Television drama always intrigued me, even as a small boy growing up in the 1950s. Each week there was The Loretta Young Show, Jane Wyman’s Fireside Theater, Medic, Schlitz Playhouse of Stars, Four Star Playhouse, and so on. As a teenager I never missed shows like Route 66, Naked City and Wagon Train because they were all about people, the human condition, and that fascinated me. (They became the first three shows I wrote about.)

I decided to write about and focus on others that I felt were unique, well-done, popular and enjoyed by millions of people. Adventures in Paradise was a series totally different than anything that existed on network television that took you to an alluring part of the world. (That became my fourth book.) Peyton Place was the first TV novelization with a continuing storyline. The Invaders featured an incredible premise -- a man alone in a quest to save mankind was hard to turn away from -- especially for those of us with an imagination. The Streets of San Francisco (another Quinn Martin series) was a quality police drama filmed in the most picturesque city in the country; with good stories and two very appealing actors that enjoyed a wonderful chemistry. Quincy M.E. was a series I worked on as an actor/writer and that experience along with Jack Klugman's integrity, work ethic and standards of excellence motivated me to do a book about that show.

Jim Rosin and Roy Thinnes of The Invaders

What book do you think generated a favorable response?
I think every book that I did led to a good incident one way or another. First, it brought me into contact with a lot of wonderful actors, directors and writers that I grew up with in movies and television. To varying degrees they were all willing to relive the glory days and that was fun. It was also nice that I had been an actor in Hollywood for eleven years, and had a reference which made many of them feel more comfortable. When the books were published, it was gratifying to receive phone calls and emails from these folks expressing an appreciation for the end result. Because of the success I had with these books, I was also able to help other writers get their work published which was also gratifying. I’ve also tried to improve on what I’ve done. Criticism only makes my books better. I revised the second edition of Route 66, added about 100 pages; and to a lesser degree made alterations and added new material to Wagon Train, Adventures in Paradise and The Invaders. Longfellow said it best: “Not enjoyment and not sorrow, is our destined end or way, that to act in each tomorrow finds us further than today.”

What is your favorite book and why?
It’s hard to pick out a favorite. I loved all the shows I wrote about for different reasons. Some of them were harder to research because many of the people on the show are no longer with us. Also those that were available had trouble remembering. When you go back 40 or 50 years that’s understandable. That happened to me on Adventures in Paradise, and to a certain extent on other shows I wrote about.

Can you talk about your acting career and the shows you did?
I really enjoyed being an actor both in Los Angeles and in New York. Unfortunately, competition is intense and much of your time is spent waiting, hoping and doing other things. However, I was able to work a bit in New York doing plays, and on a network daytime drama. In Los Angeles, I played featured and co-starring roles in about 23 television shows, and I later worked on several feature films, and appeared on L.A.s smaller theater circuit. I believe writing is more gratifying for the average performer because it’s really more of an investment on your part. No one can stop you from doing it… unlike acting. I believe that’s why you see so many performers seek other creative outlets.